The Texts of Taoism, Part I
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The Texts of Taoism, Part I

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eBook - ePub

The Texts of Taoism, Part I

About this book

These two volumes contain the complete James Legge translation of the sacred writings of the great mystical religion that for millennia has counterbalanced the official Confucianism of the Chinese state. Together with the Confucian canon, these writings have been avidly studied by generations of Chinese scholars and literary men and their place in the formation of Chinese civilization is central.
First published as volume xxxix and xl of Max Müller's Sacred Books of the East series, these volumes contain the complete texts of the Tao Te Ching attributed to Lao Tzü; the writings of Chuang Tzü; and several shorter works; the T'ai Shang or Tractate of Actions and Their Retributions, the Ch'ing Chang Ching or Classic of Purity, the Yin Fu Ching of Classic of the Harmony of the Seen and Unseen, the Yü Shu Ching or Classic of the Pivot of jade, and the Hsia Yung Ching or Classic of the Directory for a Day. Many of these lesser documents are to be found in translation only in this collection.
Professor Legge, who held the chair in Chinese language and literature at Oxford for 20 years, introduces the collection with a discussion of differences among Confucianism, Taoism, and Buddhism, the authorship of the Tao Te Ching, the real meaning of Tao in Chinese thought, and other backgrounds.
Orientalists and students of religion have long recognized this collection as indispensable. But laymen will find that the Tao Te Ching is not only profound but provocative and stimulating and that the parables and tales in the work of Chuang Tzü are delightful reading.

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Information

THE WRITINGS OF KWANG-
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ZE.

THE WRITINGS OF KWANG-
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ZE.

INTRODUCTION.

BRIEF NOTICES OF THE DIFFERENT BOOKS.

BOOK I. HSIÂO-YÂO YÛ.

The three characters which form the title of this Book have all of them the ideagram
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(Ko), which gives the idea, as the Shwo W
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n explains it, of ‘now walking, now halting.’ We might render the title by ‘Sauntering or Rambling at Ease;’ but it is the untroubled enjoyment of the mind which the author has in view. And this enjoyment is secured by the Tâo, though that character does not once occur in the Book.
e9780486122724_i0455.webp
illustrates his thesis first by the cases of creatures, the largest and the smallest, showing that however different they may be in size, they should not pass judgment on one another, but may equally find their happiness in the Tâo. From this he advances to men, and from the cases of
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and
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proceeds to that of one who finds his enjoyment in himself, independent of every other being or instrumentality; and we have the three important definitions of the accomplished Tâoist, as ‘the Perfect Man,’ ‘the Spirit-like Man,’ and ‘the Sagely Man.’ Those definitions are then illustrated ;—the third in Yâo and Hsü Yû, and the second in the conversation between Kien Wû and Lien Shû. The description given in this conversation of the spirit-like man is very startling, and contains statements that are true only of Him who is a ‘Spirit,’ ‘the Blessed and only Potentate,’ ‘Who covereth Himself with light as with a garment, Who stretcheth out the heavens as a curtain, Who layeth the beams of His chambers in the waters, Who maketh the clouds His chariot, Who walketh on the wings of the wind,’ ‘Who rideth on a cherub,’ ‘ Who inhabiteth eternity.’ The most imaginative and metaphorical expressions in the Tâo Teh King about the power of the possessor of the Tâo are tame, compared with the language of our author. I call attention to it here, as he often uses the same extravagant style. There follows an illustration of ‘the Perfect Man,’ which is comparatively feeble, and part of it, so far as I can see, inappropriate, though Lin Hsî-kung says that all other interpretations of the sentences are ridiculous.
In the seventh and last paragraph we have two illustrations that nothing is really useless, if only used Tâo-istically; ‘to the same effect,’ says
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iâo Hung, ‘as Confucius in the Analects, XVII, ii.’ They hang loosely, however, from what precedes.
An old view of the Book was that
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intended himself by the great ph
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ng, ‘which,’ says Lû Shû-kih, ‘is wide of the mark.’

BOOK II. KHÎ WÛ LUN.

Mr. Balfour has translated this title by ‘ Essay on the Uniformity of All Things;’ and, the subject of the Book being thus misconceived, his translation of it could not fail to be very incorrect. The Chinese critics, I may say without exception, construe the title as I have done. The second and third characters, Wû Lun, are taken together, and mean ‘Discussions about Things,’ equivalent to our ‘Controversies.’ They are under the government of the first character Khî, used as a verb, with the signification of ‘Harmonising,’ or ‘Adjusting.’ Let me illustrate this by condensing a passage from the ‘Supplementary Commentary of a Mr. Kang, a sub-secretary of the Imperial Chancery,’ of the Ming dynasty (
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). He says, ‘What
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calls “Discussions about Things ” has reference to the various branches of the numerous schools, each of which has its own views, conflicting with the views of the others.’ He goes on to show that if they would only adopt the method pointed out by
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, ‘their controversies would be adjusted (
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),’ now using the first Khî in the passive voice.
This then was the theme of our author in this Book. It must be left for the reader to discover from the translation how he pursues it. I pointed out a peculiarity in the former Book, that though the idea of the Tâo underlies it all, the term itself is never allowed to appear. Not only does the same idea underlie this Book, but the name is frequently employed. The Tâo is the panacea for the evils of controversy, the solvent through the use of which the different views of men may be made to disappear.
That the Tâo is not a Personal name in the conception of
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is seen in several passages. We have not to go beyond the phenomena of nature to discover the reason of their being what they are; nor have we to go beyond the bigoted egoism and vaingloriousness of controversialists to find the explanation of their discussions, various as these are, and confounding like the sounds of the wind among the trees of a forest. To man, neither in nature nor in the sphere of knowledge, is there any other ‘Heaven’ but what belongs to his own mind. That is his only ‘True Ruler.’ If there be any other, we do not see His form, nor any traces of His acting. Things come about in their proper course. We cannot advance any proof of Creation. Whether we assume that there was something ‘in the beginning’ or nothing, we are equally landed in contradiction and absurdity. Let us stop at the limit of what we know, and not try to advance a step beyond it.
Towards the end of the Book our author’s agnosticism seems to reach its farthest point. All human experience is spoken of as a dream or as ‘illusion.’ He who calls another a dreamer does not know that he is not dreaming himself. One and another commentator discover in such utterances something very like the Buddhist doctrine that all life is but so much illusion (
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). This notion has its consummation in the story with which the Book concludes.
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had dreamt that he was a butterfly. When he awoke, and was himself again, he did not know whether he, Kwang Kâu, had been dreaming that he was a butterfly, or was now a butterfly dreaming that it was Kwang Kâu. And yet he adds that there must be a difference between Kâu and a butterfly, but he does not say what that difference is. But had he ever dreamt that he was a butterfly, so as to lose the consciousness of his personal identity as Kwang Kâu? I do not think so. One may, perhaps, lose that consciousness in the state of insanity; but the language of Young is not sufficiently guarded when he writes of
‘ Dreams, where thought...

Table of contents

  1. Title Page
  2. The Texts of Taoism
  3. Copyright Page
  4. Table of Contents
  5. PREFACE.
  6. THE TEXTS OF TÂOISM. - INTRODUCTION.
  7. THE TÂO TEH KING, OR THE TÂO AND ITS CHARACTERISTICS. - THE TÂO TEH KING.
  8. THE WRITINGS OF KWANG-ZE.