The Fitzwilliam Virginal Book is "the most remarkable, and in many respects the most valuable collection of Elizabethan keyboard music," according to Grove's Dictionary of Music and Musicians. Of unknown origins, the previously scarce collector's item is now available at popular prices for the first time. The pieces herein, while composed for the virginal, can be played without difficulty on piano or any other keyboard instrument.
The nearly 300 airs, variations, fantasies, toccatas, pavanes, galliards, allemandes, and courantes in these two volumes include some of the finest examples of Elizabethan and Jacobean music: compositions by Thomas Morley, Orlando Gibbons, Giles Farnaby, Thomas Warrock, Ferdinando Richardson, Peter Phillips, Thomas Tompkins, and practically every other composer of the virginalistic school. John Bull and William Byrd, two of England's greatest composers, are represented by over 100 works.
J. A. Fuller Maitland and W. Barclay Squire set the music into modern notation, preserving faithfully the intent of the composers. The peculiarities of the original notation, time signatures, fingering, and the like as well as the ecclesiastical modes and accidentals employed by the composers are explained in a lucid introduction, which also discusses the history of the manuscript, the individuals connected with it, the composers, and the structure of the virginal.
For this extensively revised and corrected Dover edition, Blanche Winogron, noted musicologist and performer, undertook a thorough critical reexamination of the 1899 Maitland Squire edition by closely comparing it to a copy of the original manuscript (the original is in the Fitzwilliam Museum in Cambridge, England) from which it was transcribed. Numerous minor errors, misprints, and misinterpretations in the Maitland/Squire transcription have been corrected, resulting in a new edition closer to the original than ever before.
The period of this music was one of transition from the older principles and systems of notation to modern theories. This, then, is a most important document for musicologists and others interested in the history of music. But it is also a source of delight, allowing for countless hours at the keyboard for all lovers of good music.

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The Fitzwilliam Virginal Book, Volume Two
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- English
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eBook - ePub
The Fitzwilliam Virginal Book, Volume Two
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Subtopic
Classical MusicTable of contents
- Title Page
- Copyright Page
- Table of Contents
- PREFACE TO THE REVISED DOVER EDITION
- NOTES*) TO VOLUME II.
- [CX.] - Felix Namque.
- [CXI.]
- [CXII.] - Daphne.
- [CXIII.] - Pawles Wharfe.
- [CXIV.] - Quodlings Delight.
- [CXV.] - PrĂŠludium.
- [CXVI.] - PrĂŠludium. Dor.
- [CXVII.] - PrĂŠludium.
- [CXVIII.] - Ut, re, mi, fa, sol, la. a 4 voci.
- [CXIX.] - In Nomine.
- [CXX.] - PrĂŠludium.
- [CXXI.] - Pavana LachrymĂŠ.
- [CXXII.] - Galiarda.
- [CXXIII.] - Pavana.
- [CXXIV.] - Fantasia.
- [CXXV.] - Christe Redemptor.
- [CXXVI.] - The Maydens Song.
- [CXXVII.] - Put up thy Dagger, Jemy.
- [CXXVIII.] - Bony sweet Robin.
- [CXXIX.] - Fantasia.
- [CXXX.] - A Grounde.
- [CXXXI.] - Barafostus Dreame.
- [CXXXII.] - The Hunting Galliard.
- [CXXXIII.] - The Quadran Paven.
- [CXXXIV.] - Galiard to the Quadran Paven.
- [CXXXV.] - The Kingâs Hunt.
- [CXXXVI.] - Pavana.
- [CXXXVII.] - Galiarda.
- [CXXXVIII.] - Dr. Bullâs Juell.
- [CXXXIX.] - The Spanish Paven.
- [CXL.] - In Nomine.
- [CXLI.] - Wooddy-Cock.
- [CXLII.] - The Duke of Brunswickâs Alman.
- [CXLIII.] - Rosasolis.
- [CXLIV] - Psalme. [140.]
- [CXLV.] - Alman.
- [CXLVI.] - Alman.
- [CXLVII.] - Alman.
- [CXLVIII.] - The New Sa-Hoo.
- [CXLIX.] - Nobodyes Gigge.
- [CL.] - Maltâs come downe.
- [CLI.] - Praeludium.
- [CLII.] - Alman.
- [CLIII.] - Pavana.
- [CLIV.] - Galiarda.
- [CLV.] - La Volta.
- [CLVI.] - Alman.
- [CLVII.] - Wolseys Wilde.
- [CLVIII.] - Callino Casturame.
- [CLIX.] - La Volta.
- [CLX.] - Rowland.
- [CLXI.] - Why aske you.
- [CLXII.] - The Ghost.
- [CLXIII.] - Alman.
- [CLXIV.] - Galliard.
- [CLXV.] - Pavana.
- [CLXVI.] - Galliarda.
- [CLXVII.] - Pavana.*
- [CLXVIII.] - Galiarda.
- [CLXIX.] - Pavana.
- [CLXX.] - Galliarda.
- [CLXXII.] - The Queenes Alman.
- [CLXXIII.] - A Medley.
- [CLXXIV.] - Pavana.
- [CLXXV.] - Galliarda.
- [CLXXVI.] - Miserere.
- [CLXXVII.] - Miserere.
- [CLXXVIII.] - Pakingtonâs Pownde.
- [CLXXIX.] - The Irishe Dumpe.
- [CLXXX.] - Watkins Ale.
- [CLXXXI.] - A Gigg.
- [CLXXXII.] - Pipers Paven.
- [CLXXXII.] - Piperâs Galliard.
- [CLXXXIII.] - Variatio Ejusdem.
- [CLXXXIV.] - PrĂŠludium. D.
- [CLXXXV.] - Galiarda.
- [CLXXXVI.] - Galiarda.
- [CLXXXVII.] - Allemanda.
- [CLXXXVIII.] - Can shee.
- [CLXXXIX.] - A Gigge.
- [CXC.] - A Gigge.
- [CXCI.] - Sr. Jhon Grayes Galiard.
- [CXCII.] - Preludium.
- [CXCIII.] - A Toy.
- [CXCIV.] - Giles Farnabyâs Dreame.
- [CXCV.] - His Rest.
- [CXCVI.] - His Humour.
- [CXCVII.] - Fayne would I Wedd.
- [CXCVIII.] - A Maske.
- [CXCIX.] - A Maske.
- [CC.] - An Almain.
- [CCI.] - Corranto.
- [CCII.] - Alman.
- [CCIII.] - Corranto.
- [CCIV.] - Corranto.
- [CCV.] - Corranto.
- [CCVI.] - Daunce.
- [CCVII.] - Worster Braules.
- [CCVIII.] - Fantasia.
- [CCIX.] - A Maske.
- [CCX.] - Praeludium.
- [CCXI.]
- [CCXII.] - Martin sayd to his man.
- [CCXIII.] - Almand.
- [CCXIV.] - Pavane Chromatica.
- [CCXV.] - Ut, re, mi, fa, sol, la.
- [CCXVI.] - Gipseis Round.
- [CCXVII.] - Fantasia.
- [CCXVIII.] - Coranto.
- [CCXIX.] - Pavana.
- [CCXX.] - Pavana.
- [CCXXI.] - Coranto.
- [CCXXII.] - Alman.
- [CCXXIII.] - CorrĂŁto.
- [CCXXIV.] - Corranto.
- [CCXXV.] - CorrĂŁto.
- [CCXXVI.] - CorrĂŁto.
- [CCXXVII.] - Alman.
- [CCXXVIII.] - Corranto.
- [CCXXIX.] - Fantasia.
- [CCXXX.] - Loth to Depart.
- [CCXXXI] - Fantasia.
- [CCXXXII.]
- [CCXXXIII.]
- [CCXXXIV.]
- [CCXXXV.] - Walter Erleâs Paven.
- [CCXXXVI.] - 27.
- [CCXXXVII.] - Fantasia.
- [CCXXXVIII.] - Fantasia.
- [CCXXXIX.] - The L. Zouches Maske.
- [CCXL.] - GroƩde.
- [CCXLI.] - Coranto.
- [CCXLII.] - Up T [ails] All.
- [CCXLIII.] - Jhonsonâs Medley.
- [CCXLIV] - Nowelâs Galliard.
- [CCXLV.] - Tower Hill.
- [CCXLVI.] - Praeludium.
- [CCXLVII.] - The Kingâs Morisco.
- [CCXLVIII.] - A Duo.
- [CCXLIX.] - Alman.
- [CCL.] - A Galliard Ground.
- [CCLI.] - The Leaves bee greene.
- [CCLII.] - Pavana.
- [CCLIII.] - Galiarda.
- [CCLIV.] - Pavana.
- [CCLV.] - Galiarda.
- [CCLVI.] - Pavana.
- [CCLVII.] - Pavana Fant [asia].
- [CCLVIII.] - Galiarda.
- [CCLIX.] - The Earle of Oxfords Marche.
- [CCLX.] - Galiarda.
- [CCLXI.] - Fantasia.
- [CCLXII.] - The Duchesse of Brunswickâs Toye.
- [CCLXIII.] - A Toye.
- [CCLXIV] - Corranto.
- [CCLXV.] - Corranto.
- [CCLXVI.] - Corranto.
- [CCLXVII.] - A Gigge.
- [CCLXVIII.] - A Toy.
- [CCLXIX.] - Galiarda.
- [CCLXX.] - A Toye.
- [CCLXXI.] - The Primerose.
- [CCLXXII.] - The Fall of the Leafe.
- [CCLXXIII.] - Farnabyeâs Conceit.
- [CCLXXIV.] - Allemanda.
- [CCLXXV.] - Pavana.
- [CCLXXVI.] - Pescodd Time.
- [CCLXXVII.] - Pavana.
- [CCLXXVIII.] - Galiarda.
- [CCLXXIX.] - Miserere.
- [CCLXXX.] - Tell mee, Daphne.
- [CCLXXXI.] - Mal Sims.
- [CCLXXXII.] - Sundays Joy.
- [CCLXXXIII.] - Rosseterâs Galiard.
- [CCLXXXIV.] - The Flatt Pavan.
- [CCLXXXV.] - Pavana.
- [CCLXXXVI.] - Why aske you.
- [CCLXXXVII.] - Farmerâs Paven.
- [CCLXXXVIII.] - Dalling Alman.
- [CCLXXXIX.] - The old Spagnoletta.
- [CCXC.] - LachrimĂŠ Pavan.
- [CCXCI.] - Meridian Alman.
- [CCXCII.] - Pavana.
- [CCXCIII.] - Muscadin.
- [CCXCIV] - Lady Montegleâs Paven.
- [CCXCV] - Galiarda.
- [CCXCVI.] - Fantasia.
- [CCXCVII.] - Hanskin.
- Index
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Yes, you can access The Fitzwilliam Virginal Book, Volume Two by J. Fuller Maitland, W. B. Squire, J. Fuller Maitland,W. B. Squire in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Classical Music. We have over 1.5 million books available in our catalogue for you to explore.