In the wake of the 2011 tsunami, Ruth discovers a Hello Kitty lunchbox washed up on the shore of her beach home in British Columbia. Within it lies a diary that expresses the hopes, heartbreak and dreams of a young girl desperate for someone to understand her. Each turn of the page pulls Ruth deeper into the mystery of Nao's life, and forever changes her in a way neither could foresee.
Weaving across continents and decades, A Tale for the Time Being is an extraordinary novel about our shared humanity and the search for home.
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Are you in a New York subway car hanging from a strap, or soaking in your hot tub in Sunnyvale?
Are you sunbathing on a sandy beach in Phuket, or having your toenails buffed in Brighton?
Are you a male or a female or somewhere in between?
Is your girlfriend cooking you a yummy dinner, or are you eating cold Chinese noodles from a box?
Are you curled up with your back turned coldly toward your snoring wife, or are you eagerly waiting for your beautiful lover to finish his bath so you can make passionate love to him?
Do you have a cat and is she sitting on your lap? Does her forehead smell like cedar trees and fresh sweet air?
Actually, it doesnāt matter very much, because by the time you read this, everything will be different, and you will be nowhere in particular, flipping idly through the pages of this book,
which happens to be the diary of my last days on earth, wondering if you should keep on reading.
And if you decide not to read any more, hey, no problem, because youāre not the one I was waiting for anyway. But if you do decide to read on, then guess what? Youāre my kind of time
being and together weāll make magic!
2.
Ugh. That was dumb. Iāll have to do better. I bet youāre wondering what kind of stupid girl would write words like that.
Well, I would.
Nao would.
Nao is me, Naoko Yasutani, which is my full name, but you can call me Nao because everyone else does. And I better tell you a little more about myself if weāre going to keep on meeting
like this . . . !
But you can never tell. Everything changes, and anything is possible, so maybe Iāll change my mind about him, too. Maybe in the next few minutes, he will lean awkwardly in my direction and
say something surprisingly beautiful to me, and I will be overcome with a fondness for him in spite of his greasy hair and bad complexion, and Iāll actually condescend to converse with him a
little bit, and eventually he will invite me to go shopping, and if he can convince me that heās madly in love with me, Iāll go to a department store with him and let him buy me a cute
cardigan sweater or a keitai5 or handbag, even though he obviously doesnāt have a lot of money. Then after, maybe weāll go to a club and
drink some cocktails, and zip into a love hotel with a big Jacuzzi, and after we bathe, just as I begin to feel comfortable with him, suddenly his true inner nature will emerge, and heāll tie
me up and put the plastic shopping bag from my new cardigan over my head and rape me, and hours later the police will find my lifeless naked body bent at odd angles on the floor, next to the big
round zebra-skin bed.
Or maybe he will just ask me to strangle him a little with my panties while he gets off on their beautiful aroma.
Or maybe none of these things will happen except in my mind and yours, because, like I told you, together weāre making magic, at least for the time being.
3.
Are you still there? I just reread what I wrote about the otaku salaryman, and I want to apologize. That was nasty. That was not a nice way to start.
I donāt want to give you the wrong impression. Iām not a stupid girl. I know Edith Pilafās name isnāt really Pilaf. And Iām not a nasty girl or a
hentai,6 either. Iām actually not a big fan of hentai, so if you are one, then please just put this book down immediately and donāt read any
further, okay? You will only be disappointed and wasting your time, because this book is not going to be some kinky girlās secret diary, filled with pink fantasies and nasty fetishes.
Itās not what you think, since my purpose for writing it before I die is to tell someone the fascinating life story of my hundred-and-four-year-old great-grandmother, who is a Zen Buddhist
nun.
You probably donāt think nuns are all that fascinating, but my great-grandmother is, and not in a kinky way at all. I am sure there are lots of kinky nuns out there . . . well, maybe
not so many kinky nuns, but kinky priests, for sure, kinky priests are everywhere . . . but my diary will not concern itself with them or their freaky behaviors.
This diary will tell the real life story of my great-grandmother Yasutani Jiko. She was a nun and a novelist and New Woman7 of the Taisho
era.8 She was also an anarchist and a feminist who had plenty of lovers, both males and females, but she was never kinky or nasty. And even though I may
end up mentioning some of her love affairs, everything I write will be historically true and empowering to women, and not a lot of foolish geisha crap. So if kinky nasty things are your pleasure,
please close this book and give it to your wife or co-worker and save yourself a lot of time and trouble.
4.
I think itās important to have clearly defined goals in life, donāt you? Especially if you donāt have a lot of life left. Because if you donāt have clear
goals, you might run out of time, and when the day comes, youāll find yourself standing on the parapet of a tall building, or sitting on your bed with a bottle of pills in your hand,
thinking, Shit! I blew it. If only Iād set clearer goals for myself!
Iām telling you this because Iām actually not going to be around for long, and you might as well know this up front so you donāt make assumptions. Assumptions suck.
Theyāre like expectations. Assumptions and expectations will kill any relationship, so letās you and me not go there, okay?
The truth is that very soon Iām going to graduate from time, or maybe I shouldnāt say graduate because that makes it sound as if Iāve actually met my goals and deserve to move
on, when the fact is that I just turned sixteen and Iāve accomplished nothing at all. Zilch. Nada. Do I sound pathetic? I donāt mean to. I just want to be accurate. Maybe instead of
graduate, I should say Iām going to drop out of time. Drop out. Time out. Exit my existence. Iām counting the moments.
One . . .
Two . . .
Three . . .
Four . . .
Hey, I know! Letās count the moments together!9
Ruth
1.
A tiny sparkle caught Ruthās eye, a small glint of refracted sunlight angling out from beneath a massive tangle of drying bull kelp, which the sea had heaved up onto the sand at full tide. She mistook it for the sheen of a dying jellyfish and almost walked right by it. The beaches were overrun with jellyfish these days, the monstrous red stinging kind that looked like wounds along the shoreline.
But something made her stop. She leaned over and nudged the heap of kelp with the toe of her sneaker then poked it with a stick. Untangling the whiplike fronds, she dislodged enough to see that what glistened underneath was not a dying sea jelly, but something plastic, a bag. Not surprising. The ocean was full of plastic. She dug a bit more, until she could lift the bag up by its corner. It was heavier than she expected, a scarred plastic freezer bag, encrusted with barnacles that spread across its surface like a rash. It must have been in the ocean for a long time, she thought. Inside the bag, she could see a hint of something red, someoneās garbage, no doubt, tossed overboard or left behind after a picnic or a rave. The sea was always heaving things up and hurling them back: fishing lines, floats, beer cans, plastic toys, tampons, Nike sneakers. A few years earlier it was severed feet. People were finding them up and down Vancouver Island, washed up on the sand. One had been found on this very beach. No one could explain what had happened to the rest of the bodies. Ruth didnāt want to think about what might be rotting inside the bag. She flung it farther up the beach. She would finish her walk and then pick it up on the way back, take it home, and throw it out.
2.
āWhatās this?ā her husband called from the mud room.
Ruth was cooking dinner, chopping carrots and concentrating.
āThis,ā Oliver repeated when she didnāt answer.
She looked up. He was standing in the doorway of the kitchen, dangling the large scarred freezer bag in his fingers. Sheād left it out on the porch, intending to deposit it in the trash, but sheād gotten distracted.
āOh, leave it,ā she said. āItās garbage. Something I picked up on the beach. Please donāt bring it in the house.ā Why did she have to explain?
āBut thereās something in it,ā he said. āDonāt you want to know whatās inside?ā
āNo,ā she said. āDinnerās almost ready.ā
He brought it in anyway and laid it on the kitchen table, scattering sand. He couldnāt help it. It was his nature to need to know, to take things apart and sometimes put them back together. Their freezer was filled with plastic shrouds containing the tiny carcasses of birds, shrews, and other small animals that their cat had brought in, waiting to be dissected and stuffed.
āItās not just one bag,ā he reported, carefully unzipping the first and laying it aside. āItās bags within bags.ā
The cat, attracted by all the activity, jumped up onto the table to help. ...
Table of contents
Cover
About the Author
Title Page
Copyright Page
Dedication
Part I
Part II
Part III
Part IV
Epilogue
Appendices
Bibliography
Acknowledgments
Extract from The Book of Form and Emptiness
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