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About this book
Art historians, anthropologists, and sociologists from Latin America, the Caribbean, and the United States discuss artwork from Mexico, Argentina, Chile, Colombia, Ecuador, Panama, Suriname, and Puerto Rico, and many of their essays focus on indigenous artists. They highlight the complex webs of social relations from which folk art emerges. For instance, while several pieces describe the similar creative and technical processes of indigenous pottery-making communities of the Amazon and of mestiza potters in Mexico and Colombia, they also reveal the widely varying functions of the ceramics and meanings of the iconography. Integrating the social, historical, political, geographical, and economic factors that shape folk art in Latin America and the Caribbean, Crafting Gender sheds much-needed light on a rich body of art and the women who create it.
Contributors
Eli Bartra
Ronald J. Duncan
Dolores Juliano
Betty LaDuke
Lourdes RejĂłn PatrĂłn
Sally Price
MarĂa de JesĂșs RodrĂguez-Shadow
Mari Lyn Salvador
Norma Valle
Dorothea Scott Whitten
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Information
Table of contents
- Contents
- Illustrations
- Acknowledgments
- Introduction
- Always Something New: Changing Fashions in a ââTraditional Cultureââ
- The Emergence of the Santeras: Renewed Strength for Traditional Puerto Rican Art
- Kuna Womenâs Arts: Molas, Meaning, and Markets
- Connections: Creative Expressions of Canelos Quichua Women
- Engendering Clay: Las Ceramistas of Mata Ortiz
- Womenâs Folk Art in La Chamba, Colombia
- The Mapuche Craftswomen
- Womenâs Prayers: The Aesthetics and Meaning of Female Votive Paintings in Chalma
- Earth Magic: The Legacy of Teodora Blanco
- Tastes, Colors, and Techniques in Embroidered Mayan Female Costumes
- Contributors
- Index