Christian Metz and the Codes of Cinema
eBook - PDF

Christian Metz and the Codes of Cinema

Film Semiology and Beyond

  1. 350 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

About this book

This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today.

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Yes, you can access Christian Metz and the Codes of Cinema by Margrit Tröhler, Guido Kirsten, Margrit Tröhler,Guido Kirsten,Julia Zutavern, Margrit Tröhler, Guido Kirsten, Julia Zutavern in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Film & Video. We have over one million books available in our catalogue for you to explore.

Information

Table of contents

  1. Table of Contents
  2. Acknowledgments
  3. Editorial Note
  4. 1. Christian Metz and Film Semiology
  5. I. Metz and the Tradition of Film Theory
  6. 2. Two Ways of Thinking
  7. 3. Christian Metz and his Theoretical Legacy
  8. 4. Christian Metz for Today
  9. 5. Thinking Cinema
  10. 6. Barthes’ Early Film Semiology and the Legacy of Filmology in Metz
  11. II. Questions of Form and Aesthetics
  12. 7. Christian Metz and Aesthetics
  13. 8. Christian Metz and Modern Cinema
  14. 9. Christian Metz, Editing, and Forms of Alternation1
  15. III. Specificities of the Cinematic Code and the Imaginary
  16. 10. Between Classical and Postclassical Theory
  17. 11. Cyber-Metz?
  18. 12. Yes, the Image Lies Beyond Analogy
  19. 13. The Cinematic Signifier and the Imaginary
  20. 14. Fetishism and Scepticism , or the Two Worlds of Christian Metz and Stanley Cavell
  21. IV. Narration, Enunciation, Cinephilia
  22. 15. Cinema: Image or Narrative?
  23. 16. Semiotics, Science, and Cinephilia
  24. 17. ‘“Theorize”, he says… ’
  25. 18. Personal Enunciation: Presences of Absences
  26. 19. Metz with Deleuze
  27. Two Interviews with Christian Metz
  28. 20. Thirty Years After
  29. 21. The Semiology of Cinema? It Is Necessary to Continue!
  30. 22. Flashback to Winter 1990
  31. 23. ‘I Never Expected Semiology to Thrill the Masses’
  32. Postscript
  33. Conclusion
  34. Index – Names
  35. Index – Film Titles