
- 566 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
About this book
A collection of essays by the acclaimed film scholar Thomas Elsaesser, written between 1968 and 2005, tracks the crisis of contemporary European cinema, faced by the Hollywood giant on the one hand, and the collapsing national cinema industries on the other.
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Yes, you can access European Cinema by Thomas Elsaesser in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Film & Video. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Table of Contents
- Preface
- Introduction
- European Cinema: Conditions of Impossibility?
- National Cinema: Re-Definitions and New Directions
- European Culture, National Cinema, the Auteur and Hollywood
- ImpersoNations: National Cinema, Historical Imaginaries
- Film Festival Networks: The New Topographies of Cinema in Europe
- Double Occupancy and Small Adjustments: Space, Place and Policy in the New European Cinema since the 1990s
- Auteurs and Art Cinemas: Modernism and Self-Reference, Installation Art and Autobiography
- Ingmar Bergman – Person and Persona: The Mountain of Modern Cinema on the Road to Morocco
- Late Losey: Time Lost and Time Found
- Around Painting and the “End of Cinema”: A Propos Jacques Rivette’s La Belle Noiseuse
- Spellbound by Peter Greenaway: In the Dark ... and Into the Light
- The Body as Perceptual Surface: The Films of Johan van der Keuken
- Television and the Author’s Cinema: ZDF’s Das Kleine Fernsehspiel
- Touching Base: Some GermanWomen Directors in the 1980s
- Europe-Hollywood-Europe
- Two Decades in Another Country: Hollywood and the Cinephiles
- Raoul Ruiz’s L’Hypothèse du Tableau Volé
- Images for Sale: The “New” British Cinema
- “If YouWant a Life”: The Marathon Man
- British Television in the 1980s Through The Looking Glass
- German Cinema Face to Face with Hollywood: Looking into a Two-Way Mirror
- Central Europe Looking West
- Of Rats and Revolution: Dusan Makavejev’s The Switchboard Operator
- Defining DEFA’s Historical Imaginary: The Films of KonradWolf
- UnderWestern Eyes: What Does Žižek Want?
- Our Balkanist Gaze: About Memory’s No Man’s Land
- Europe Haunted by History and Empire
- Is History an Old Movie?
- Edgar Reitz’s Heimat: Memory, Home and Hollywood
- Discourse and History: One Man’s War – An Interview with Edgardo Cozarinsky
- Rendezvous with the French Revolution: Ettore Scola’s That Night in Varennes
- Joseph Losey’s The Go-Between
- Games of Love and Death: Peter Greenaway and Other Englishmen
- Border-Crossings: Filmmaking without a Passport
- Peter Wollen’s Friendship’s Death
- Andy Engel’s Melancholia
- On The High Seas: Edgardo Cozarinsky’s Dutch Adventure
- Third Cinema/World Cinema: An Interview with Ruy Guerra
- Ruy Guerra’s Erendira
- Hyper-, Retro- or Counter-: European Cinema as Third Cinema between Hollywood and Art Cinema
- Conclusion
- European Cinema as World Cinema: A New Beginning?
- European Cinema: A Brief Bibliography
- List of Sources and Places of First Publication
- Index of Names
- Index of Film Titles / Subjects