Illegalized immigration is a highly iconic topic. The public perception of the current regime for mobility is profoundly shaped by visual and verbal images. As the issue of illegalized immigration is gaining increasing political momentum, the authors feel it is a well-warranted undertaking to analyze the role of images in the creation of illegalization. Their aim is to trace the visual processes that produce these very categories.

The authors aim to map out an iconography of illegalized immigration in relation to political, ethical, and aesthetic discourses. They discuss the need to project new images as well as the dangers of giving persons without legal papers an individual face. Illegalization is produced by law, but naturalized through the everyday use of images. The production of law, on the other hand, is also driven by both mental and materialized images. A critical iconology may help us to see these mechanisms.

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Yes, you can access Images of Illegalized Immigration by Christine Bischoff, Francesca Falk, Sylvia Kafehsy, Christine Bischoff,Francesca Falk,Sylvia Kafehsy in PDF and/or ePUB format, as well as other popular books in Art & History of Art. We have over one million books available in our catalogue for you to explore.

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Cover Images of Illegalized Immigration
Contents
Introduction
Migration, Law, and the Image: Beyond the Veil of Ignorance
Milieus of Illegality. Representations of Guest Workers, Refugees, and Spaces of Migration in Der Spiegel, 1973-1980
The Making of “Illegality”: Strategies of Illegalizing Social Outsiders
Copying Camouflage. In/visibility of Illegalized Immigration in Julio Cesar Morales’ Series Undocumented Interventions
Images of Victims in Trafficking in Women. The Euro 08 Campaign Against Trafficking in Women in Switzerland
Invasion, Infection, Invisibility: An Iconology of Illegalized Immigration
Voice-Over Image
Masking, Blurring, Replacing: Can the Undocumented Migrant Have a Face in Film?
Border: The Videographic Traces by Laura Waddington as a Cinematographic Memorial
Politics, Representation, Visibility: Bruno Serralongue at the Cité Nationale de l’Histoire de l’Immigration
The Image versus the Map: the Ceuta Border
Who is a Refugee–Strategies of Visibilization in the Neighbourhood of a Refugee Reception Camp and a Detention Centre
Editors and Authors

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