About this book
To illuminate Dorfman's thematic concerns, McClennen chronicles the writer's life, including his experiences working with Salvador Allende and his exile from Chile during the dictatorship of Augusto Pinochet, and she provides a careful account of his literary and cultural influences. Tracing his literary career chronologically, McClennen interprets Dorfman's less-known texts alongside his most well-known works, which include How to Read Donald Duck, the pioneering critique of Western ideology and media culture co-authored with Armand Mattelart, and the award-winning play Death and the Maiden. In addition, McClennen provides two valuable appendices: a chronology documenting important dates and events in Dorfman's life, and a full bibliography of his work in English and in Spanish.
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Information
Table of contents
- Contents
- Preface
- Acknowledgments
- Note on Citations and Translations
- 1. The Political Is Personal
- 2. On Becoming a Storyteller: Dorfman’s Literary and Cultural Influences
- 3. An Aesthetics of Hope
- 4. Anything Else Would Have Tasted Like Ashes: From Popular Unity to Exile (1970–90)
- 5. I Am a Liar Who Always Tells the Truth: From Exile to Diaspora (1990–2005)
- 6. Creative Criticism/Critical Creativity: Media Criticism and Cultural Journalism
- Conclusion: One among Many
- Appendix 1: An Ariel Dorfman Chronology
- Appendix 2: An Ariel Dorfman Bibliography
- Notes
- Works Cited
- Index
