
- English
- PDF
- Available on iOS & Android
About this book
An interpretive bricolage that draws on an unlikely archive of 1930s detritusāoffice memos, scribbled manuscripts, scrapbooks, ruined photographs, newspaper clippings, glass eyes, incinerated stage sets, pulp novels, and junk washed ashoreāDown in the Dumps escorts its readers through Reno's divorce factory of the 1930s, where couples from across the United States came to quickly dissolve matrimonial bonds; Key West's multilingual salvage economy and its status as the island that became the center of an ideological tug-of-war between the American New Deal government and a politically fraught Caribbean; post-Renaissance Harlem, in the process of memorializing, remembering, grieving, and rewriting a modernity that had already passed; and Studio-era Hollywood, Nathanael West's "dump of dreams," in which the introduction of sound in film and shifts in art direction began to transform how Americans understood place-making and even being itself. A coda on Alcatraz and the Pentagon brings the book into the present, exploring how American Depression comes to bear on post-9/11 America.
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Information
Table of contents
- Contents
- Images
- Acknowledgments
- Introduction: A Geography of Depression
- 1 Reno: The Divorce Factory
- 2 Key West: The Nation and the Corpse
- 3 Harlem: Blue-Penciled Place
- 4 Hollywood (Land) Wax, Fire, Insomnia
- Notes
- Works Cited
- Index