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About this book
Drawing on early-twentieth-century sources in both English and Japanese, including Japanese-language newspapers in the United States, Miyao illuminates the construction and reception of Hayakawa's stardom as an ongoing process of cross-cultural negotiation. Hayakawa's early work included short films about Japan that were popular with American audiences as well as spy films that played upon anxieties about Japanese nationalism. The Jesse L. Lasky production company sought to shape Hayakawa's image by emphasizing the actor's Japanese traits while portraying him as safely assimilated into U.S. culture. Hayakawa himself struggled to maintain his sympathetic persona while creating more complex Japanese characters that would appeal to both American and Japanese audiences. The star's initial success with U.S. audiences created ambivalence in Japan, where some described him as traitorously Americanized and others as a positive icon of modernized Japan. This unique history of transnational silent-film stardom focuses attention on the ways that race, ethnicity, and nationality influenced the early development of the global film industry.
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Table of contents
- Contents
- List of Illustrations
- List of Abbreviations
- Acknowledgments
- Introduction
- Part One: Emperor, Buddhist, Spy, or Indian The Pre-Star Period of Sessue Hayakawa(1914â15)
- Part Two: Villain, Friend, or Lover Sessue Hayakawaâs Stardom at Lasky-Paramount (1916â18)
- Part Three: âTriple Consciousnessâ Sessue Hayakawaâs Stardom at Haworth Pictures Corporation (1918â22)
- Part Four: Stardom and Japanese Modernity Sessue Hayakawa in Japan
- Epilogue
- Notes
- Filmography
- Bibliography
- Index