
- English
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About this book
Gods of the Blood details the trends that have converged to fuel militant paganism in the United States: anti-government sentiments inflamed by such events as Ruby Ridge and Waco, the rise of the white power music industry (including whitenoise, dark ambient, and hatecore), the extraordinary reach of modern communications technologies, and feelings of economic and cultural marginalization in the face of globalization and increasing racial and ethnic diversity of the American population. Gardell elucidates how racist pagan beliefs are formed out of various combinations of conspiracy theories, anti-Semitism, warrior ideology, populism, beliefs in racial separatism, Klandom, skinhead culture, and tenets of national socialism. He shows how these convictions are further animated by an array of thought selectively derived from thinkers including Nietzche, historian Oswald Spengler, Carl Jung, and racist mystics. Scrupulously attentive to the complexities of racist paganism as it is lived and practiced, Gods of the Blood is a fascinating, disturbing, and important portrait of the virulent undercurrents of certain kinds of violence in America today.
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Information
Table of contents
- Contents
- Acknowledgments
- Introduction: Globalization, Nationalism, and the Pagan Revival
- 1. The Transforming Landscapes of American Racism
- 2. The Smorgasbord of the Revolutionary White-Racist Counterculture
- 3. The Pagan Revival
- 4. Wolf-Age Pagans: The Odinist Call of Aryan Revolutionary Paganism
- 5. By the Spear of Odin: The Rise of Wotansvolk
- 6. Ethnic AsatrĂș
- 7. Hail Loki! Hail Satan! Hail Hitler! Darkside AsatrĂș, Satanism, and Occult National Socialism
- 8. Globalization, Aryan Paganism, and Romantic Men with Guns
- Notes
- Works Cited
- Index