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About this book
For over three decades Rich has been one of the most important voices in feminist film criticism. Her presence at film festivals (such as Sundance, where she is a member of the selection committee), her film reviews in the Village Voice, Elle, Out, and the Advocate, and her commentaries on the public radio program "The World" have secured her a place as a central figure in the remarkable history of what she deems "cinefeminism." In the hope that a new generation of feminist film culture might be revitalized by reclaiming its own history, Rich introduces each essay with an autobiographical prologue that describes the intellectual, political, and personal moments from which the work arose. Travel, softball, sex, and voodoo all somehow fit into a book that includes classic Rich articles covering such topics as the antiporn movement, the films of Yvonne Rainer, a Julie Christie visit to Washington, and the historically evocative film Maedchen in Uniform. The result is a volume that traces the development not only of women's involvement in cinema but of one of its key players as well.
The first book-length work from Rich—whose stature and influence in the world of film criticism and theory continue to grow—Chick Flicks exposes unexplored routes and forgotten byways of a past that's recent enough to be remembered and far away enough to be memorable.
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Table of contents
- Contents
- Acknowledgments
- Preface: Jews without Books
- Introduction
- Prologue. I Found It at the Movies
- 1. Film in the Sixties
- Prologue. Hippie Chick in the Art World
- 2. Carolee Schneemann's Fuses
- Prologue. Angst and Joy on the Women's Film Festival Circuit
- 3. Leni Riefenstahl: The Deceptive Myth
- Prologue. Life, Death, and Tragic Homecoming
- 4. Voodoo Verite: Maya Deren's Divine Horsemen
- Prologue. An Iguana, Some Wolves, and the Dawn of Theory
- 5. In the Name of Feminist Film Criticism
- Prologue. O Brave New World
- 6. One Way or Another: Sara Gomez and the Cuban Experience
- Prologue. A Woman's Declaration of Secession from the Avant-Garde
- 7. Sex and Cinema
- Prologue. Love's Labor Lost
- 8. Misconception: Laboring under No Illusions
- Prologue. Cows and Hero-Worship
- 9. The Films of Yvonne Rainer
- Prologue. Knokke-Heist and the Fury That Was Edinburgh
- 10. Designing Desire: Chantal Akerman
- Prologue. Euphoria Reclaims History
- 11. From Repressive Tolerance to Erotic Liberation: Maedchen in Uniform
- Prologue. Softball, the Goddess, and Lesbian Film Culture
- 12. The Right of Re-Vision: Michelle Citron's Daghter Rite (coauthored with Linda Williams)
- Prologue. The Allure of Alchemy
- 13. Femicide Investigation: Thriller
- Prologue. Sour Grapes
- 14. She Says, He Says: The Power of the Narrator in Modernist Film Politics
- Prologue. Sex, Gender, and Consumer Culture
- 15. Antiporn: Soft Issue, Hard World (Not a Love Story)
- Prologue. Unguided Tours
- 16. The Feminist Avant-Garde
- Prologue. Attacking the Sisters, or the Limits of Disagreement
- 17. Cinefeminism and Its Discontents
- Prologue. Libel Threats and Exile Tactics
- 18. Truth, Faith, and the Individual: Thoughts on U.S. Documentary Film Practice
- Prologue. Disempowerment and the Politics of Rage
- 19. Lady Killers: A Question of Silence
- Prologue. Film Stars as Outstanding Human Being
- 20. Julie Christie Goes to Washington
- Prologue. Blaming the Victim
- 21. Good Girls, Bad Girls: Joyce Chopra's Smooth Talk
- Prologue: The Berks and the Sex Wars
- 22. Feminism and Sexuality in the Eighties
- Epilogue: Charting the Eighties
- Notes
- Index