
Never Say I
Sexuality and the First Person in Colette, Gide, and Proust
- English
- PDF
- Available on iOS & Android
Never Say I
Sexuality and the First Person in Colette, Gide, and Proust
About this book
Considering novels along with journalism, theatrical performances, correspondences, and face-to-face encounters, Lucey focuses on the interlocking social and formal dimensions of using the first person. He argues for understanding the first person not just as a grammatical category but also as a collectively produced social artifact, demonstrating that Proust's, Gide's, and Colette's use of the first person involved a social process of assuming the authority to speak about certain issues, or on behalf of certain people. Lucey reveals these three writers as both practitioners and theorists of the first person; he traces how, when they figured themselves or other first persons in certain statements regarding same-sex identity, they self-consciously called attention to the creative effort involved in doing so.
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Table of contents
- Contents
- Acknowledgments
- Introduction: Referring to Same-SexSexualities in the First Person
- Gide, Bourget, and Proust Talking
- Questions of Register in and around 1902
- Colette, the Moulin Rouge, and Les Vrilles
- Gide and Posterity
- Proust’s Queer Metalepses
- Sodom and Gomorrah: Proust’s Narrator’s First Person
- Epilogue
- Notes
- Works Cited
- Index