
The Female Complaint
The Unfinished Business of Sentimentality in American Culture
- English
- PDF
- Available on iOS & Android
About this book
Pairing literary criticism and historical analysis, Berlant explores the territory of this intimate public sphere through close readings of U.S. women's literary works and their stage and film adaptations. Her interpretation of Uncle Tom's Cabin and its literary descendants reaches from Harriet Beecher Stowe to Toni Morrison's Beloved, touching on Shirley Temple, James Baldwin, and The Bridges of Madison County along the way. Berlant illuminates different permutations of the women's intimate public through her readings of Edna Ferber's Show Boat; Fannie Hurst's Imitation of Life; Olive Higgins Prouty's feminist melodrama Now, Voyager; Dorothy Parker's poetry, prose, and Academy Award–winning screenplay for A Star Is Born; the Fay Weldon novel and Roseanne Barr film The Life and Loves of a She-Devil; and the queer, avant-garde film Showboat 1988–The Remake. The Female Complaint is a major contribution from a leading Americanist.
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Information
Table of contents
- Contents
- Preface
- Introduction: Intimacy, Publicity, and Femininity
- Poor Eliza
- Pax Americana: The Case of Show Boat
- National Brands, National Body: Imitation of Life
- Uncle Sam Needs a Wife: Citizenship and Denegation
- Remembering Love, Forgetting Everything Else:Now, Voyager
- “It’s Not the Tragedies That Kill Us, It’s the Messes”:Femininity, Formalism, and Dorothy Parker
- The Compulsion to Repeat Femininity: Landscape for a Good Woman and The Life and Loves of a She-Devil
- Overture/Aperture: Showboat 1988—The Remake
- Notes
- Bibliography
- Index