Digital Sound Studies
  1. English
  2. PDF
  3. Available on iOS & Android
eBook - PDF

About this book

The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume's contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities. Drawing on multiple disciplines—including rhetoric and composition, performance studies, anthropology, history, and information science—the contributors to Digital Sound Studies bring digital humanities and sound studies into productive conversation while probing the assumptions behind the use of digital tools and technologies in academic life. In so doing, they explore how sonic experience might transform our scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive. As they demonstrate, incorporating sound into scholarship is thus not only feasible but urgently necessary.

Contributors. Myron M. Beasley, Regina N. Bradley, Steph Ceraso, Tanya Clement, Rebecca Dowd Geoffroy-Schwinden, W. F. Umi Hsu, Michael J. Kramer, Mary Caton Lingold, Darren Mueller, Richard Cullen Rath, Liana M. Silva, Jonathan Sterne, Jennifer Stoever, Jonathan W. Stone, Joanna Swafford, Aaron Trammell, Whitney Trettien
 

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Yes, you can access Digital Sound Studies by Mary Caton Lingold, Darren Mueller, Whitney Trettien, Mary Caton Lingold,Darren Mueller,Whitney Trettien in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Higher Education. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Cover
  2. Contents
  3. Preface
  4. Acknowledgments
  5. Introduction
  6. I. Theories and Genealogies
  7. II. Digital Communities
  8. III. Disciplinary Translations
  9. IV. Points Forward
  10. Afterword. Demands of Duration: The Futures of Digital Sound Scholarship
  11. Contributors
  12. Index