Women's Camera Work
eBook - PDF

Women's Camera Work

Self/Body/Other in American Visual Culture

  1. English
  2. PDF
  3. Available on iOS & Android
eBook - PDF

Women's Camera Work

Self/Body/Other in American Visual Culture

About this book

Women's Camera Work explores how photographs have been and are used to construct versions of history and examines how photographic representations of otherness often tell stories about the self. In the process, Judith Fryer Davidov focuses on the lives and work of a particular network of artists linked by time, interaction, influence, and friendship—one that included Gertrude Käsebier, Imogen Cunningham, Dorothea Lange, and Laura Gilpin.

Women's Camera Work
ranges from American women's photographic practices during the nineteenth and early twentieth centuries to a study of landscape photography. Using contemporary cultural studies discourse to critique influential male-centered historiography and the male-dominated art world, Davidov exhibits the work of these women; tells their absorbing stories; and discusses representations of North American Indians, African Americans, Asian Americans, and the migrant poor. Evaluating these photographers' distinct contributions to constructions of Americanness and otherness, she helps us to discover the power of reading images closely, and to learn to see through these women's eyes.

In presenting one of the most important strands of American photography, this richly illustrated book will interest students of American visual culture, women's studies, and general readers alike.


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Yes, you can access Women's Camera Work by Judith Fryer Davidov in PDF and/or ePUB format, as well as other popular books in Art & History of Photography. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Contents
  2. Acknowledgments
  3. Prologue
  4. Chapter I. Histories: Versions and Subversions
  5. Chapter II. The Geometry of Bodies: Gender and Genre in Pictorialist Photography
  6. Chapter III. "Always the Navajo Took the Picture"
  7. Chapter IV. Containment and Excess: Representing African Americans
  8. Chapter V. "The Only Gentile among the Jews": Dorothea Lange's Documentary Photography
  9. Chapter VI. The Body's Geography: Female Versions of Landscape
  10. Epilogue
  11. Notes
  12. Index