
Living the Hiplife
Celebrity and Entrepreneurship in Ghanaian Popular Music
- English
- PDF
- Available on iOS & Android
About this book
Shipley shows how young hiplife musicians produce and transform different kinds of value—aesthetic, moral, linguistic, economic—using music to gain social status and wealth, and to become respectable public figures. In this entrepreneurial age, youth use celebrity as a form of currency, aligning music-making with self-making and aesthetic pleasure with business success. Registering both the globalization of electronic, digital media and the changing nature of African diasporic relations to Africa, hiplife links collective Pan-Africanist visions with individualist aspiration, highlighting the potential and limits of social mobility for African youth.
The author has also directed a film entitled Living the Hiplife and with two DJs produced mixtapes that feature the music in the book available for free download.
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Information
Table of contents
- Contents
- List of Illustrations
- Acknowledgments
- Introduction: Aesthetics and Aspiration
- 1. Soul to Soul: Value Transformations and Disjunctures of Diaspora in Urban Ghana
- 2. Hip-Hop Comes to Ghana: State Privatization and an Aesthetic of Control
- 3. Rebirth of Hip: Afro-Cosmopolitanism and Masculinity in Accra’s New Speech Community
- 4. The Executioner’s Words: Genre, Respect, and Linguistic Value
- 5. Scent of Bodies: Parody as Circulation
- 6. Gendering Value for a Female Hiplife Star: Moral Violence as Performance Technology
- 7. No. 1 Mango Street: Celebrity Labor and Digital Production as Musical Value
- 8. Ghana@50 in the Bronx: Sonic Nationalism and New Diasporic Disjunctures
- Conclusion: Rockstone’s Office: Entrepreneurship and the Debt of Celebrity
- Notes
- Bibliography
- Index