
The Assassination of Theo van Gogh
From Social Drama to Cultural Trauma
- English
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- Available on iOS & Android
The Assassination of Theo van Gogh
From Social Drama to Cultural Trauma
About this book
Eyerman utilizes theories of social drama and cultural trauma to evaluate the reactions to and effects of the murder. A social drama is triggered by a public transgression of taken-for-granted norms; one that threatens the collective identity of a society may develop into a cultural trauma. Eyerman contends that the assassination of Theo van Gogh quickly became a cultural trauma because it resonated powerfully with the postwar psyche of the Netherlands. As part of his analysis of the murder and reactions to it, he discusses significant aspects of twentieth-century Dutch history, including the country's treatment of Jews during the German occupation, the loss of its colonies in the wake of World War II, its recruitment of immigrant workers, and the failure of Dutch troops to protect Muslims in Srebrenica in 1995.
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Table of contents
- CONTENTS
- Acknowledgments
- 1. Assassination as Public Performance: The Murder of Theo van Gogh
- 2. Mediating Social Drama
- 3. Perpetrators and Victims
- 4. The Clash of Civilizations: A Multicultural Drama
- 5. A Dutch Dilemma: Free Speech, Religious Freedom, and Multicultural Tolerance
- 6. Cultural Trauma and Social Drama
- Notes
- Bibliography
- Index