
eBook - PDF
Cinema of Actuality
Japanese Avant-Garde Filmmaking in the Season of Image Politics
- English
- PDF
- Available on iOS & Android
eBook - PDF
About this book
During the 1960s and early 1970s, Japanese avant-garde filmmakers intensely explored the shifting role of the image in political activism and media events. Known as the "season of politics," the era was filled with widely covered dramatic events from hijackings and hostage crises to student protests. This season of politics was, Yuriko Furuhata argues, the season of image politics. Well-known directors, including Oshima Nagisa, Matsumoto Toshio, Wakamatsu K?ji, and Adachi Masao, appropriated the sensationalized media coverage of current events, turning news stories into material for timely critique and intermedial experimentation. Cinema of Actuality analyzes Japanese avant-garde filmmakers' struggle to radicalize cinema in light of the intensifying politics of spectacle and a rapidly changing media environment, one that was increasingly dominated by television. Furuhata demonstrates how avant-garde filmmaking intersected with media history, and how sophisticated debates about film theory emerged out of dialogues with photography, television, and other visual arts.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Cinema of Actuality by Yuriko Furuhata in PDF and/or ePUB format, as well as other popular books in Mezzi di comunicazione e arti performative & Arte asiatica. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- contents
- acknowledgments
- introduction
- one. Intermedial Experiments and the Rise of the Eizō Discourse
- two. Cinema, Event, and Artifactuality
- three. Remediating Journalism: Politics and the Media Event
- four. Diagramming the Landscape: Power and the Fūkeiron Discourse
- five. Hijacking Television: News and Militant Cinema
- conclusion
- notes
- bibliography
- index