However, before examining skilled reading it is necessary to clarify two points which have caused confusion and have led to inaccurate conclusions about the best way to teach reading.
Recognition of words
The first point concerns the statement frequently made that skilled readers recognize words as wholes, implying that they do not have to examine the word letter by letter. This is so in the case of familiar words, but although skilled readers recognize familiar words at a glance, they recognize unusual or unfamiliar words in a different way. For example, most adults would recognize gentleman, ladies, and stop at a glance, but most adults would not recognize geomorphology, ichthyoid, idiosyncratic, and hugeous at a glance. They would have to take a little time to examine the parts of these words and read off the signals, or information, given by the letters of the word: in some cases individual letters and in some cases strings of letters. Outline shape and length, ascenders and descenders, have little to do with recognition of these unfamiliar words. It is the sounds which can be attached to letters or to strings of letters that indicate what the word sounds like. In the case of familiar words, instant recognition is made possible by means of reduced cues: that is, certain features within the word are noted and the skilled readerâs knowledge of written language is such that he can make certain assumptions about the remaining features. For example, we can recognize a person who is well-known to us by the cut of his hair and the shape of his fore-head, even though the rest of the face is partly obscured (Neisser, 1964); we can distinguish between the rear ends of two different cars even though we can see only a quarter of each car.
The same applies, of course, to the recognition of strings of words, such as once upon a time, good morning, needless to say. When the reader is sufficiently familiar with these strings of words he no longer needs to read off all the signals given by each part of each word.
Later it will be shown that this argument is relevant in the case of young children and, as a consequence, look-and-say should be regarded as a part of the preparatory approach which should be clearly differentiated from word identification and learning to read in the true sense of these phrases. Indeed, where look-and-say persists beyond the necessary preparatory period the children will learn to read by other means, in that they will learn to make correspondences between letters and sounds for themselves. Later, when they have learned the fundamental skills of reading, then look-and-say techniques can be used to achieve a quicker easier rate of reading.
Processing the perceptual input
The second point of possible confusion concerns what is loosely termed perception. It is frequently assumed that seeing the letters of a word, or the words of a sentence, is all that is involved in word recognition. This is an oversimplification. The facts are that in reading the reader sees shapes and he proceeds to interpret these shapes by giving them some auditory significance, so that what has actually happened is something more than merely seeing or perceiving. The reader has associated something from his previous experienceâin this case letter soundsâwith the abstract letter shapes before him. Hence, to think of letter, word, phrase or sentence recognition as a single act of perception is misleading. A process more accurately described as apperception has taken place, in which the various parts or cues were interpreted; and, like all acts of interpretation, the responses to cues are in some measure subjective.
For example, the word tip would be recognized by a reader. It is the dot above the vertical line and its relationship with t and p rather than its exact height which helps recognition of the i. What is seen is interpreted and the result is the word tip. This is how children manage to read their own irregular writing. Backward children frequently have to use this processing procedure when reading what they have written!
This is merely another way of stating that interpretation of perceptual input is distinct from the perception itself. What is seen is interpreted in such a way that it complies with the constraints or rules of language. There is no such word as tip, but there is a word tip.
To carry this point a bit further: if the sentence I should love to see Paris in the the Spring was placed in a meaningful paragraph and the reader asked to read the passage as quickly as possible, it is doubtful whether he would notice the repetition of the word the even though we can reasonably assume that he has seen the the. The reader is using his knowledge of language to interpret what he sees.
In a similar way, this process, involving apperception, also occurs when a person reads a passage and interprets the meaning of several sentences. This can be discovered by quickly reading aloud once the following passage and attempting to reproduce what has been read:
As we have already reported, after the rioting of the past weeks, the atmosphere in Hong Kong is now more relaxed in spite of the continued discovery of home-made bombs. Four such bombs were found today and were detonated by police experts.
It is a fair assumption that, although the reader could not reproduce the exact wording and syntax of the passage, he could reproduce the sense.
This has a very important implication. It means that strings of words are retained in the immediate memory store until their sense is revealed. Then the sense is stored so that the immediate memory store is cleared and the reader can take in the next string of words. Some strings, e.g. As we have already reported, may be rejected because they contribute little to the meaning of the passage. It follows from this that the texts of childrenâs reading books must consist of connected prose, the meaning of which develops in a sequential manner so that children can extract and retain the sense of the text without having to remember all the individual words. If the texts are not constructed in this manner, and the child has to read a series of statements only loosely connected with each other, the burden on his memory would be too great: too many separate entities would have to be remembered without developing into any form of connected sense.
One of the finest examples of a story which develops and yet employs severe semantic constraints is âBullawongâ by Jenny Taylor and Terry Ingleby (My Yellow Book) and reproduced in the Young Puffin, Time for a Story edited by E. Colwell. It is a useful and revealing exercise to compare this story with the stories in such popular reading sets as the Key Words, Happy Venture, and Janet and John Series.