
- 275 pages
- English
- PDF
- Available on iOS & Android
About this book
There is a well-developed vocabulary for discussing classical music, but when it comes to popular music, how do we analyze its effects and its meaning? David Brackett draws from the disciplines of cultural studies and music theory to demonstrate how listeners form opinions about popular songs, and how they come to attribute a rich variety of meanings to them. Exploring several genres of popular music through recordings made by Billie Holiday, Bing Crosby, Hank Williams, James Brown, and Elvis Costello, Brackett develops a set of tools for looking at both the formal and cultural dimensions of popular music of all kinds.
There is a well-developed vocabulary for discussing classical music, but when it comes to popular music, how do we analyze its effects and its meaning? David Brackett draws from the disciplines of cultural studies and music theory to demonstrate how liste
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Information
Table of contents
- Cover
- Interpreting Popular Music
- Title
- Copyright
- Dedication
- Contents
- Preface
- 1 Introduction
- 2 Family values in music? Billie Holiday's and Bing Crosby's “I’ll Be Seeing You”
- 3 When you're lookin' at Hank (you're looking at country)
- 4 James Brown's "Superbad" and the double-voiced utterance
- 5 Writing, music, dancing, and architecture in Elvis Costello's "Pills and Soap"
- 6 Afterword: the citizens of Simpleton
- Appendix
- Notes
- Bibliography
- Select discography
- Index