
- 272 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
Identity and Locality in Early European Music, 1028-1740
About this book
This collection presents numerous discoveries and fresh insights into music and musical practices that shaped distinctly localized individual and collective identities in pre-modern and early modern Europe. Contributions by leading and emerging European music experts fall into three areas: plainchant traditions in Aquitania and the Iberian peninsula during the first 700 years of the second millennium; late medieval musical aesthetics, traditions and practices in Paris, Padua, Prague and more generally England, Germany and Spain; and local traditions in Renaissance Augsburg and Baroque Naples and Dresden. In addition to in-depth readings of anonymous musical traditions, contributors provide new details concerning the lives and music of well-known composers such as Ad r de Chabannes, Bartolino da Padova, Ciconia, Josquin, Senfl, Alessandro Scarlatti, Heinichen and Zelenka. This book will appeal to a broad range of readers, including chant scholars, medievalists, music historians, and anyone interested in music's place in pre-modern and early modern European culture.
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Information
Table of contents
- Cover
- Half Title
- Title
- Copyright
- Contents
- List of Illustrations
- List of Tables
- List of Music Examples
- Notes on Contributors
- Preface
- Acknowledgements
- List of Abbreviations
- Editor's Introduction
- PART I IDENTITY AND PRACTICE IN AQUITANIAN AND IBERIAN PLAINCHANT
- PART II LATE MEDIEVAL AESTHETICS, TRADITIONS AND PRACTICES
- PART III LOCAL PRACTICES IN RENAISSANCE AND BAROQUE MUSIC
- Bibliography
- Index