Music abounds in twentieth- century Irish literature. Whether it be the "thought-tormented" music of Joyce's "The Dead", the folk tunes and opera that resound throughout Ulysses, or the four- part threnody in Beckett's Watt, it is clear that the influence of music on the written word in Ireland is deeply significant. Samuel Beckett arguably went further than any other writer in the incorporation of musical ideas into his work. Musical quotations inhabit his texts, and structural devices such as the da capo are metaphorically employed. Perhaps most striking is the erosion of explicit meaning in Beckett's later prose brought about through an extensive use of repetition, influenced by his reading of Schopenhauer's philosophy of music. Exploring this notion of "semantic fluidity", John McGrath discusses the ways in which Beckett utilised extreme repetition to create texts that operate and are received more like music. Beckett's writing has attracted the attention of numerous contemporary composers and an investigation into how this Beckettian "musicalized fiction" has been retranslated into contemporary music forms the second half of the book. Close analyses of the Beckett- inspired music of experimental composer Morton Feldman and the structured improvisations of avantjazz guitarist Scott Fields illustrate the cross- genre appeal of Beckett to musicians, but also demonstrate how repetition operates in diverse ways. Through the examination of the pivotal role of repetition in both music and literature of the twentieth century and beyond, John McGrath's book is a significant contribution to the field of Word and Music Studies.

- 178 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
Samuel Beckett, Repetition and Modern Music
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Subtopic
MusicIndex
Page numbers in italic refer to figures in the text.
Abbate, Carolyn 48–9, 72
Abbott, Helen 22, 47
“abrash” 93, 94
abstraction 23, 138, 149
absurdity 72, 84n4
Adams, John 95
Adorno, Theodor 18–19, 23, 36, 70, 71, 90, 128
African American/black music 36, 40, 51n7
Agamben, Giorgio 129
Albright, Daniel 6, 7, 19, 22, 55, 72, 84
aleatoric methods 4–5, 130–1, 153; Beckett 84, 98, 125, 126, 127, 128, 145
alliteration 2, 46
AMM group 132
anadiplosis, rhetorical device 77, 79, 102, 105
analogy, musical 24, 29, 31
anaphora 2, 47, 48, 81, 133, 150
animation films 18
apophenia 43
Aristotle 30, 35, 152, 154
art, avant-garde 9, 12
art, modern 88, 151–2
art, Renaissance 9
Art Ensemble of Chicago 131
art installations 33, 34
art music 15, 16–17, 33, 37, 41, 132; Ireland 53, 54
arts, visual 7–8, 19, 151
Association for the Advancement of Creative Musicians (AACM) 131, 132
Attali, Jacques 35
“attributive screens” 26, 27, 28, 71
Auerbach, Erich 152
Austen, Jane 13
authenticity 35, 44; see also originality
authors...
Table of contents
- Cover
- Endorsement
- Half Title
- Title Page
- Copyright Page
- Dedication
- Table of contents
- List of figures
- Acknowledgements
- Introduction
- Music and literature
- Repetition in music and literature
- Musico-literary interaction in modern Ireland and the musical aesthetic of Samuel Beckett
- Beckett’s semantic fluidity: Repetition in the later work
- Beckett and Feldman: Time, repetition and the liminal space
- Improvising Beckett: Chance, silence and repetition
- Conclusions
- Bibliography
- Index
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Yes, you can access Samuel Beckett, Repetition and Modern Music by John McGrath in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music. We have over 1.5 million books available in our catalogue for you to explore.