In contrast to mobilities forced through statist formations and driven by imperial capitalist or military agendas, Punjabâs free-flowing cartographies carry the trace of multiple ancient, medieval and modern mobilities across its rivers and passes. Unlike the oceanic movements of Sikhs accelerated by imperial policies, precolonial movements of diverse groups from Punjab across the land routes date back to several centuries, beginning with those of the nomadic khanabadosh1 communities between Punjab and Central Asia who carried both goods and cultures across its porous boundaries. While the khanabadosh were driven further to Eastern Europe in the eleventh century AD due to their persecution by Muslim invaders, they continued to travel to Punjab until the closure of the peripatetic niche following the formation of the borders between Afghanistan and Pakistan. In addition to those of multi-resource nomadic communities, itinerant pedlars and lobana and Pushtun powindah transporters, carriers and loaders who functioned along the silk route,2 the movements of Multani, Shikarpuri, Amritsari and Hoshiarpuri Hindu Lala and Khatri merchants who followed the Kabul-Balkh-Khotan, Multan-Qandhar or the Bokhara-Afghanistan-Punjab route, which were preceded, accompanied and followed by the peregrinations of Sufi and Sikh saints, mendicants and minstrels, predate and expand Punjabi narratives of mobility by several centuries.3
Nomadic mobilities
New evidence has resulted in scholarly consensus on the origins of the Roma people, or gypsies as they were popularly known, which lie in northwest India or present-day Pakistan.4 These claims have been made on the basis of linguistic evidence, the similarity of the Romany language, spoken by approximately 3.5 million Roma people, to Punjabi and lahndi (Hancock 2006; Owens 2007: 92), which has been corroborated by genomic research (Nelson 2012). The Roma migration appears to have been continuous and has been broadly classified into three waves: the first wave beginning around the fifth century from Punjab to Persia, the second from southwest Asia to Europe in the ninth century and the third in the eleventh century. Notwithstanding the lack of consensus with respect to the century in which the migrations began, scholars concur that the movement of the Roma might have begun as early as the sixth century to southwest Asia and from the ninth century to parts of Europe. The Roma, who are believed to have fled Punjab to escape Islamic persecution and earned their living as entertainers, metalworkers and soldiers in Europe, are descendants of the âmulti-resource nomadsâ or khanabadosh people that Joseph Berland views as occupying the indigenous peripatetic niche of paryatan that he views as different from that of conventional nomadism (1983: 26). Berland points out that mobility is regarded as an essential feature of individual and group identity and its loss a major source of shame, dishonour, respect and well-being among the qalandar in Pakistan (2003: 110â11).5
The history of the earliest khanabadosh mobility has been derived from Arab and Persian sources, the texts of Hamza al-Isfahani, Ferdowsi and Al-Talibi Roma composed around 1000 AD, which suggest that Punjabi migration might have begun as early as the fifth century AD. According to Arab historian Hamza al-Isfahani (961 AD), Shah Bahram V. Gur (420â438 AD), bemoaning the absence of singers in his land, is believed to have requested the Emperor of India to send him musicians, who responded by sending 12,000 singers to Persia from India:
The King let work his people for half a day, and ordered them for the remaining half day to rest, to eat varied types of food, to drink and to relax. He encouraged his subjects to be accompanied by music and songs when drinking. ⌠One day the King passed a group of people who were drinking without any singer. So he said strictly, âHavenât I ordered that during drinking orgies song performances must not be neglected?â The people bowed to the sovereign and answered, âWe have looked for any singers all around here but we were disposed to pay them more than 100 Dirham, so we could not find anyone.â Immediately, the King asked for a quill and some paper and wrote to the King of India in view of a singer. The latter sent him 12,000 singers who Varhan Gor, (Bahram Gur), spread all over his empire. There they married and had descendants, of whom â even if of a small number â there still remains. They are of the tribe of the Zott.
(Gilsenbach 1997: 23)
This is corroborated by Ferdowsi in Shah Nameh, the Persian national epic completed in 1011 AD, even though he puts the number at 10,000 musicians:
All governors of the province of the Shah reported to him that the poor people were lamenting about the fact that the rich people were drinking their wine accompanied by music, and that they were looking down on the poor ones who had to drink without any music. Consequently the Shah sent a messenger on a dromedary to Sheng il, and had him bring a letter containing the following: âChoose ten thousand Luris, men and women, who know how to play the lute.â
(Kenrick 1998: 18â19)
A third version of this incident was recorded by Arab historian Al-Talibi in his âHistory of Persian Kingsâ in which the number of musicians is further reduced to 4,000 (1020 AD):
One evening, when he (Bahram Gur) came back from hunting, he passed a group of subjects who were sitting in the grass and were eating and drinking. He asked, why they did not have any music since music makes the spirit happy. They answered: âOh King, we looked for musicians for 100 Dirham, but we could not find one.â So Bahram said, âWe will procure you one!â, and he ordered a writer to write a letter to the Indian Shankalat and to ask him to send four thousand of the best musicians and best singers to his court. Shankalat did so and Bahram distributed them throughout the whole kingdom and requested from the people to take up their service, to enjoy their art and to pay them appropriate reward. And it is from them that the dark Luri derive who know to play the flute and the lute so well.
(Kenrick 1998: 18)
Although the historical accuracy of these sources may be unreliable, they confirm that the movements of certain groups from Punjab had been in place for several centuries before the composition of these texts. In the fashion of legend, these accounts attribute the banishment of the migrants to a curse following their failure to settle down as cultivators:
When the Luris arrived, the Shah welcomed them and gave each of them an ox and a donkey because he wanted them to become farmers. He gave them as much corn as a thousand donkeys were able to carry because they would til the land with their ox and donkeys, sow the corn and gather in the harvest and play for the poor for free. The Luris moved away and ate the ox and the corn. At the end of the year they returned, their cheeks being pale. The Shah told them, âYou should not have wasted the seeds. Now you have only your donkeys. Load them with your properties, take your instruments and string them with strings of silk.â Even today, these Luris are migrating around the world in order to earn their living, they are sleeping side by side with the dog and the wolf; permanently moving they are stealing by day and by night.
(Kenrick 1998: 18â19)
Although there is some reference to the presence of the Roma in the eleventh century, it is only in the twelfth century that reliable Hungarian and Slovak records confirm the settlement of the Roma and their movement in the following few decades.
Since the movement of Roma people began centuries ago and the Roma have been assimilated into the nations to which they moved, their migrations have remained ignored until recently. But Ferdowsiâs use of the term luri to describe immigrants and the claim that they belong to a caste called Zotts [Jat] strongly suggests a Punjabi origin for the luri and an indigenous category though which mobilities may be theorized. Irrespective of their historical veracity, the movement of the Roma people that originated in the indigenous niche of the khanabadosh [house on shoulder], ramanta [roaming] or ghumantu [itinerant] can provide key categories for conceptualizing mobility as well as historicizing Punjab mobilities.