A Critical Edition of Thomas Middleton's The Witch
eBook - ePub

A Critical Edition of Thomas Middleton's The Witch

  1. 307 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

A Critical Edition of Thomas Middleton's The Witch

About this book

Published in 1993: The first modern scholarly edition of the author's play, not published until 1778. Sebastian reclaims his betrothed from Antonio; the Duchess avenges herself on the Duke for making her drink from her father; and Abberzanes and Francesca have an illicite affair. The witches are credible forces of evil.

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Yes, you can access A Critical Edition of Thomas Middleton's The Witch by Thomas Middleton, Edward J. Esche in PDF and/or ePUB format, as well as other popular books in Literature & British Drama. We have over one million books available in our catalogue for you to explore.

Information

Publisher
Routledge
Year
2019
eBook ISBN
9780429590115
Edition
1

A Tragicomedy Called The Witch

Long Since Acted by His Majesty’s Servants at the Blackfriars
Written by Thomas Middleton
Image
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[DRAMATIS PERSONAE]

The Scene: Ravenna

The Persons
DUKE
LORD GOVERNOR
SEBASTIAN, contracted to Isabella 5
FERNANDO, his friend
ANTONIO, husband to Isabella
ABBERZANES, a gentleman, neither honest, wise nor valiant
ALMACHILDES, a fantastical gentleman
GASPERO and HERMIO, servants to Antonio 10
FIRESTONE, the clown and Hecate's son
[Boy]
[Attendants]
The Persons
DUCHESS 15
ISABELLA, niece to the Govemour
FRANCESCA, Antonio’s sister
AMORETTA, the Duchess's woman
FLORIDA, a courtesan
HECATE, the chief witch 20
STADLIN, HOPPO, witches
Other Witches and Servants, mutes
[Old Woman]

[Dedication]

To the truly worthy and generously affected Thomas Holmes, Esquire
Noble Sir
As a true testimony of my ready inclination to your service, I have merely upon a taste of your desire recovered into my hands (though not without much difficulty) this ignorantly ill-fated labour of mine. 5 Witches are ipso facto by the law condemned and that only, I think, hath made her lie so long in an imprisoned obscurity. For your sake alone she hath thus far conjured herself abroad, and bears no other charms about her but what may tend to your recreation, nor no other spell but to possess you with a belief that as she, so he that first taught 10 her to enchant, will always be
your devoted
Tho[mas] Middleton

ACT I

Scene i

Enter SEBASTIAN and FERNANDO.
Sebastian. My three years spent in war has now undone
My peace for ever.
Fernando. Good, be patient, sir.
Sebastian. She is my wife by contract before heaven
And all the angels, sir.
Fernando. I do believe you,
But where’s the remedy now? You see she’s gone; 5
Another has possession.
Sebastian. There’s the torment.
Fernando. This day, being the first of your return,
Unluckily proves the first too of her fast’ning.
Her uncle, sir, the Governor of Ravenna,
Holding a good opinion of the bridegroom, 10
As he’s fair-spoken, sir, and wondrous mild—
Sebastian. There goes the devil in a sheepskin!
Fernando. —with all speed
Clapped it up suddenly. I cannot think, sure,
That the maid over-loves him; though being married,
Perhaps, for her own credit, now she intends 15
Performance of an honest duteous wife.
Sebastian. Sir, I’ve a world of business. Question nothing;
You will but lose your labour. ’Tis not fit
For any, hardly mine own secrecy,
To know what I intend. I take my leave, sir. 20
I find such strange employments in myself
That unless death pity me and lay me down,
I shall not sleep these seven years; that’s the least, sir. Exit.
Fernando. That sorrow’s dangerous can abide no counsel;
’Tis like a wound past cure. Wrongs done to love 25
Strike the heart deeply. None can truly judge on’t
But the poor sensible sufferer whom it racks
With unbelievĆØd pains, which men in health
That enjoy love not possibly can act,
Nay, not so much as think. In truth I pity him; 30
His sighs drink life-blood in this time of feasting.
A banquet towards too! Not yet hath riot
Played out her last scene? At such entertainments still
Forgetfulness obeys and surfeit governs.
Here’s marriage sweetly honoured in gorged stomachs 35
And overflowing cups.
Enter GASPERO and Servant.
Gaspero. Where is she, sirrah?
Servant. Not far off.
Gaspero. Prithee where? Go fetch her hither;
I ’ll rid him away straight. [Exit Servant.]
The Duke’s now risen, sir.
Fernando. I am a joyful man to hear it, sir.
It seems he’s drunk the less, though I think he 40
That has the least, he’s certainly enough. Exit.
Gaspero. I have observed this fellow: all the feast-time
He hath not pledged one cup, but looked most wickedly
Upon good Malaga, flies to the black-jack still
And sticks to small drink like a water-rat.
Enter FLORIDA.
[Aside] O, here she comes! Alas, the poor whore weeps!
’Tis not for grace now, all the world must judge;
It is for spleen, and madness ’gainst this marriage.
I do but think how she could beat the vicar now,
Scratch the man horribly that gave the woman, 50
The woman worst of all, if she durst do it.
[Aloud] Why, how now, mistress? This weeping needs not, for though
My master marry for his reputation,
He means to keep you too.
Florida. How, sir?
Gaspero. He doth indeed;
He swore’t to me last night. Are you so simple 55
(And have been five years traded) as to think
One woman would serve him? Fie, not an empress!
Why, he’ll be sick o’th’ wife within ten nights,
Or never trust my judgement.
Florida. Will he, think’st thou?
Gaspero. Will he!
Florida. I find thee still so comfortable, 60
Beshrew my heart if I knew how to miss thee.
They talk of gentlemen, perfumers and such things;
Give me the kindness of the master’s man
In my distress, say I.
Gaspero. ’Tis your great love, forsooth.
Pl...

Table of contents

  1. Cover
  2. Half Title
  3. Title Page
  4. Copyright Page
  5. Other Title Page
  6. Original Title Page
  7. Original Copyright Page
  8. Dedication Page
  9. Contents
  10. Acknowledgements
  11. Illustrations
  12. Abbreviations
  13. Introduction
  14. A Tragicomedy Called The Witch
  15. Textual Collation
  16. Explanatory Notes
  17. Appendices
  18. Glossarial Index to the Commentary
  19. Bibliography