âso many ruffians, blasphemers, and swinge bucklers, so many drunkards, tosspots, whoremasters, dancers, fiddlers, and minstrels, dice players and maskers, fencers, thieves [&] interlude playersâ.
(Northbrooke 1843: 76)
Northbrookeâs A Treatise Against Dicing, Dancing, Plays and Interludes with Other Idle Pastimes (written in 1577) is a scholarly if lengthy diatribe against âvain plays and interludesâ in which his apoplectic condemnation knows few limits. He has a strong turn of insult and there are few who are immune to his venom: âjolly yonkers and lusty brutes [âŠ] adulterers, unchaste, and lewd persons, and idle rogues [âŠ] dicers, carders, mummers and dancersâ (Northbrooke 1843: 11â12). One can almost see the flecks of bile spattering the manuscript. And this is only the introduction.
The list of insults is a lost art in the era of the sound bite, and Cracker John weighs in on the âevil and unprofitable arts, as of interludes, stage plays, jugglings, and false sleights, witchcrafts, speculations, divinations, or fortune-tellings and other vain and naughty curious kinds of artsâ (Northbrooke 1843: 56). The punishment for those âidle, vagrant and masterless persons, that used to loiter and would not work [âŠ] [is to] have a hole burned through the gristle of one of his earsâ (Northbrooke 1843: 76). If he is caught again, he will be hanged. However, Northbrooke did allow âhonest jesting [âŠ] [not] jesting that is full of scurrility and filthinessâ (Northbrooke 1843: 69). What little pleasure he derived appear to be from proscribing that of others: a life spent in denial needs some distractions after all.
Like many bitten by the Jesus bug, he tends towards excessive condemnation for relatively minor infractions: the stage is one of Satanâs ways to obscure the word of God. We have to contextualize Northbrooke (and Prynne later) with the development of Protestant austerity: hard work brings us closer to God, Sunday is for worship not leisure, and holidays are a papal corruption. The Church and stateâs desire to excise blasphemy or sedition intensified when they realized that the stage offered a space for public dissent and moved to curb it.