How and Why We Teach Shakespeare
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How and Why We Teach Shakespeare

College Teachers and Directors Share How They Explore the Playwright's Works with Their Students

Sidney Homan

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eBook - ePub

How and Why We Teach Shakespeare

College Teachers and Directors Share How They Explore the Playwright's Works with Their Students

Sidney Homan

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About This Book

In How and Why We Teach Shakespeare, 19 distinguished college teachers and directors draw from their personal experiences and share their methods and the reasons why they teach Shakespeare. The collection is divided into four sections: studying the text as a script for performance; exploring Shakespeare by performing; implementing specific techniques for getting into the plays; and working in different classrooms and settings.

The contributors offer a rich variety of topics, including:

  • working with cues in Shakespeare, such as line and mid-line endings that lead to questions of interpretation
  • seeing Shakespeare's stage directions and the Elizabethan playhouse itself as contributing to a play's meaning
  • using the "gamified" learning model or cue-cards to get into the text
  • thinking of the classroom as a rehearsal
  • playing the Friar to a student's Juliet in a production of Romeo and Juliet
  • teaching Shakespeare to inner-city students or in a country torn by political and social upheavals.

For fellow instructors of Shakespeare, the contributors address their own philosophies of teaching, the relation between scholarship and performance, and—perhaps most of all—why in this age the study of Shakespeare is so important.

Chapter 10 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

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Information

Publisher
Routledge
Year
2019
ISBN
9781000011654

Index

2 Henry IV: location of scene 54
acting exercises 6574
Acting Shakespeare course 159, 164166
actions of a play 160
Actors From The London Stage (AFTLS) company 2122, 23, 24
adaptation exercise 187189
Allende, Isabel 167
ally 94104
Andrews, Walter 186
As You Like It 3233
a-theatrical perspective 87
audience, suggestions by 7273
aural diversions 46, 47, 48
ball-tossing exercise 68
Banks, Fiona 130, 131, 133
Barker, Harley Granville 79
Barton, John 79, 160
Bates, Lauren 124
BBC TV series 196, 197199
Better Strangers project 119120, 121, 127n1
Blackfriars 4647
body language 6768, 112, 132
Boece, Hector 42
Bowers, Fredson 149
Branagh, Kenneth 75, 76, 196, 198, 199200
breathless rehearsal 101
caesuras 67
Carpinelli, Dylan 121
Carroll, Steven 115n4
Carroll, Tim 200
casting 24, 109110, 112113
Chappell, Maria 107
characters: decisions 31, 3435; objectives of 6667, 6869, 70, 72, 73; perception and presentation 2428
Chronicles of England, Scotlande, and Ireland, The (Holinshed) 42
classroom performances 6574
close reading exercises 40
collaborators 138145
comedy, comic scenes 9092, 199
Comedy Acting for Theatre (Homan) 90
Com...

Table of contents