The Art of Drawing Folds
eBook - ePub

The Art of Drawing Folds

An Illustrator’s Guide to Drawing the Clothed Figure

  1. 188 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

The Art of Drawing Folds

An Illustrator’s Guide to Drawing the Clothed Figure

About this book

From Renaissance fresco painters to contemporary graphic novel artists, the ability to draw clothed figures from one's imagination has always been crucial to artists – and exceptionally difficult to attain. With over 220 illustrations, The Art of Drawing Folds: An Illustrator's Guide to Drawing the Clothed Figure reveals the logic and patterns in folds, enabling the reader to more easily predict the behavior of cloth when creating folds in their own drawings and paintings.

Addressing folds in clothing systematically, the author provides a clear, concise approach to the analysis, classification and visualization of convincingly naturalistic folds. Starting with the nature of fabric and its geometry, this book methodically explores the reasons for fold behavior based on the construction of clothing and the shapes and actions of the human figure. An essential guide and reference for animators, illustrators, storyboard artists, comic-book artists, 3D modelers, sculptors, fashion designers and students, The Art of Drawing Folds simplifies one of the most complex and important aspects of drawing the clothed figure.

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Information

Publisher
Routledge
Year
2017
eBook ISBN
9781351811583
Topic
Art
1
An Overview of Folds and Materials
Folds can seem complicated, but they are always combinations of simpler parts. A piece of cloth that has been folded once is a simple fold. If a simple fold is folded a second time, so that it is now a fold of a fold, it is called a compound fold. Combinations of simple and compound folds are called complex folds. In clothing, similar patterns of folds always occur in similar circumstances. Folds never have to be mathematically perfect; they just have to look reasonable and attractive.
The size, number and angularity of the folds will vary depending on the type of material used, but the rules governing how folds form are universal. There are standard folds that occur in any material subjected to the same forces. But when drawing different types of fabric, the standard folds have to be modified. For instance, gravity will cause thinner fabrics to droop more than thicker fabrics will. Stretchier fabrics will stay close to the body and have smoother, more rounded folds. Stiffer fabrics will resist folding and form larger, more angular folds. An analogy can be made to human anatomy: we all have a very similar structure, but each of us has unique proportions that create the wide variety in people’s appearance.
Cloth retains its surface area whether it is pulled flat or is bunched into folds. As compression moves the edges of cloth closer to each other, the ā€œfootprintā€ of the cloth is made smaller, but the total area of the actual cloth does not change; it simply becomes subdivided into the various surfaces of the folds that have formed.
All folds are combinations of smooth curves, flat planes and sharp direction changes. In any single small area of cloth (or leather, paper, foil or plastic) there are only a few things that a piece of material can do. The default state of an area of fabric is to lie in a plane, which is how it was woven or knitted.
Compression causes folds to form. There is even compression, where two areas of cloth are pushed straight towards each there. There is also uneven compression, in which two areas of cloth are pushed towards each other as they follow an arc centered on a nearby point in the cloth. And it is also possible to have compression in more than one direction at the same time, where even or uneven compression is occurring in two different directions, and this creates more complicated folds.
Folding a piece of cloth over onto itself creates a fold. When clothing is worn, it isn’t usually such intentional folding that creates folds: folds in clothing are normally caused by gravity and the actions of the figure.
Planes, Cylinders and Cones
Any pliable material can be draped to lie perfectly smoothly over only three solid shapes: flat surfaces, cylinders and cones (Figure 1.1). Cloth adopts the shape of the shape it is on: it can lie flat in a plane, or be cylindrical or conical. Examples are a carpet lying on the floor, paper towels on a paper tube, and a napkin wrapped around an ice cream cone.
1.1 Cloth and other flat materials can lie smoothly only on planes, cylinders and cones.
A flat surface is not necessary for cloth to flatten: all that is necessary is that it be pulled evenly from all four sides. If two areas of a piece of cloth are pushed evenly towards each other, the cloth begins to arch into a cylindrical shape. But if two areas of cloth are pushed towards each other using uneven pressure, the cloth will begin to arch into the shape of a cone.
The terms cylinder and cone are used here with the broad definition that is sometimes employed to include cylinders and cones that are partly flattened or opened on one side. You can easily roll a cylinder or cone from a sheet of paper to prove to yourself that they can be slightly flattened without losing their smoothness and lack of additional folds.
These are the only two families of folds: those based on cylinders and those based on cones. The folds that are related to cylinders are parallel folds, and the folds related to cones are radial folds. In clothing folds usually occur in groups with members of both families interlocking with each other.
Parallel Folds
Parallel folds are created by compression resulting from even pressure. Their shape resembles a cylinder, and they are called parallel folds because the straight lines that run along their length are parallel to each other. They do not usually form a complete cylinder. An important characteristic of every parallel fold is that it stays the same size along its length. Often two or more parallel folds are also parallel to each other, for instance when they form an S-shaped curve. Any part of an article of clothing that lies over a cylindrical form (such as a thigh) can lie very smoothly.
Radial Folds
Radial folds are created by compression caused by uneven pressure. Their shape resembles a cone, and they are called radial folds because the straight lines that run along their length all radiate from the same point of origin. They don’t usually form a complete cone. Radial folds start at their tips from nothing and grow higher and wider along their length.
Compound Folds
Any parallel or radial fold can become a compound fold if it is folded a second time. A fold starts as a simple or first-order fold. If an existing simple fold is folded onto itself, then a second-order or compound fold is created. In other words, a compound fold is a fold of a fold. The actions of the figure often force folds in clothing to fold a second time. At the edge of the second fold there will be a sharp direction change, so a compound fold has a ā€œcornerā€ to it that a first-order single fold does not have. The indentation at the corner is called the eye of the fold, and makes compound folds easy to recognize (Figure 1.2).
1.2 A compound fold can be creat...

Table of contents

  1. Cover
  2. Half Title
  3. Title Page
  4. Copyright Page
  5. Contents
  6. Introduction
  7. 1 An Overview of Folds and Materials
  8. 2 The Elements of Folds
  9. 3 Parallel Folds
  10. 4 Radial Folds
  11. 5 Interlocking Folds
  12. 6 Complex Folds
  13. 7 Folds at the Floor and Edges
  14. 8 Drawing the Figure
  15. 9 Clothing and Folds on the Figure
  16. 10 Folds in Hands and Gloves
  17. 11 Folds and Wrinkles on the Face
  18. 12 Light and Shade
  19. Index

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Yes, you can access The Art of Drawing Folds by Kelly Brine in PDF and/or ePUB format, as well as other popular books in Art & Art Techniques. We have over 1.5 million books available in our catalogue for you to explore.