The Ecopoetry Anthology

Ann Fisher-Wirth, Laura-Gray Street, Ann Fisher-Wirth, Laura-Gray Street

• Publisher: Trinity University Press
• Year: 2013
• Print ISBN: 9781595341464
• eBook ISBN: 9781595341457
• Topic: Literature
• Subtopic: Poetry
• Index: Literature

Definitive and daring, The Ecopoetry Anthology is the authoritative collection of contemporary American poetry about nature and the environment--in all its glory and challenge. From praise to lament, the work covers the range of human response to an increasingly complex and often disturbing natural world and inquires of our human place in a vastness beyond the human.To establish the antecedents of today's writing, The Ecopoetry Anthology presents a historical section that includes poetry written from roughly the mid-nineteenth to the mid-twentieth century. Iconic American poets like Walt Whitman and Emily Dickinson are followed by more modern poets like Wallace Stevens, William Carlos Williams, Ezra Pound, and even more recent foundational work by poets like Theodore Roethke, Elizabeth Bishop, Robert Hayden, and Muriel Rukeyser. With subtle discernment, the editors portray our country's rich heritage and dramatic range of writing about the natural world around us.

CONTEMPORARY

A. R. Ammons

Corsons Inlet

I went for a walk over the dunes again this morning

to the sea,

then turned right along

the surf

rounded a naked headland

and returned

along the inlet shore:

it was muggy sunny, the wind from the sea steady and high,

crisp in the running sand,

some breakthroughs of sun

but after a bit

continuous overcast:

the walk liberating, I was released from forms,

from the perpendiculars,

straight lines, blocks, boxes, binds

of thought

into the hues, shadings, rises, flowing bends and blends

of sight:

I allow myself eddies of meaning:

yield to a direction of significance

running

like a stream through the geography of my work:

you can find

in my sayings

swerves of action

like the inlet’s cutting edge:

there are dunes of motion,

organizations of grass, white sandy paths of remembrance

in the overall wandering of mirroring mind:

but Overall is beyond me: is the sum of these events

I cannot draw, the ledger I cannot keep, the accounting

beyond the account:

in nature there are few sharp lines: there are areas of

primrose

more or less dispersed;

disorderly orders of bayberry; between the rows

of dunes,

irregular swamps of reeds,

though not reeds alone, but grass, bayberry, yarrow, all . . .

predominantly reeds:

I have reached no conclusions, have erected no boundaries,

shutting out and shutting in, separating inside

from outside: I have

drawn no lines:

as

manifold events of sand

change the dune’s shape that will not be the same shape

tomorrow,

so I am willing to go along, to accept

the becoming

thought, to stake off no beginnings or ends, establish

no walls:

by transitions the land falls from grassy dunes to creek

to undercreek: but there are no lines, though

change in that transition is clear

as any sharpness: but “sharpness” spread out,

allowed to occur over a wider range

than mental lines can keep:

the moon was full last night: today, low tide was low:

black shoals of mussels exposed to the risk

of air

and, earlier, of sun,

waved in and out with the waterline, waterline inexact,

caught always in the event of change:

a young mottled gull stood free on the shoals

and ate

to vomiting: another gull, squawking possession, cracked a crab,

picked out the entrails, swallowed the soft-shelled legs, a ruddy

turnstone running in to snatch leftover bits:

risk is full: every living thing in

siege: the demand is life, to keep life: the small

white blacklegged egret, how beautiful, quietly stalks and spears

the shallows, darts to shore

to stab—what? I couldn’t

see against the black mudflats—a frightened

fiddler crab?

the news to my left over the dunes and

reeds and bayberry clumps was

fall: thousands of tree swallows

gathering for flight:

an order held

in constant change: a congregation

rich with entropy: nevertheless, separable, noticeable

as one event,

not chaos: preparations for

flight from winter,

cheet, cheet, cheet, cheet, wings rifling the green clumps,

beaks

at the bayberries

a perception full of wind, flight, curve,

sound:

the possibility of rule as the sum of rulelessness:

the “field” of action

with moving, incalculable center:

in the smaller view, order tight with shape:

blue tiny flowers on a leafless weed: carapace of crab:

snail shell:

pulsations of order

in the bellies of minnows: orders swallowed,

broken down, transferred through membranes

to strengthen larger orders: but in the large view, no

lines or changeless shapes: the working in and out, together

and against, of millions of events: this,

so that I make

no form of

formlessness:

orders as summaries, as outcomes of actions override

or in some way result, not predictably (seeing me gain

the top of a dune,

the swallows

could take flight—some other fields of bayberry

could enter fall

berryless) and there is serenity:

no arranged terror: no forcing of image, plan,

or thought:

no propaganda, no humbling of reality to precept:

terror pervades but is not arranged, all possibilities

of escape open: no route shut, e...

Table of contents

• Cover
• Title Page
• Copyright
• Dedication
• Contents
• Editors’ Preface
• A Scattering, a Shining, by Ann Fisher-Wirth
• The Roots of It, by Laura-Gray Street
• American Ecopoetry: An Introduction, by Robert Hass
• Historical
• Contemporary
• Contributors’ Notes
• Acknowledgments and Credits