Art and Objects
eBook - ePub

Art and Objects

  1. English
  2. ePUB (mobile friendly)
  3. Available on iOS & Android
eBook - ePub

Art and Objects

About this book

In this book, the founder of object-oriented ontology develops his view that aesthetics is the central discipline of philosophy. Whereas science must attempt to grasp an object in terms of its observable qualities, philosophy and art cannot proceed in this way because they don't have direct access to their objects. Hence philosophy shares the same fate as art in being compelled to communicate indirectly, allusively, or elliptically, rather than in the clear propositional terms that are often taken – wrongly – to be the sole stuff of genuine philosophy.

Conceiving of philosophy and art in this way allows us to reread key debates in aesthetic theory and to view art history in a different way. The formalist criticism of Greenberg and Fried is rejected for its refusal to embrace the innate theatricality and deep multiplicity of every artwork. This has consequences for art criticism, making pictorial content more important than formalism thinks but less entwined with the social sphere than anti-formalism holds. It has consequences for art history too, as the surrealists, David, and Poussin, among others, gain in importance. The close link between aesthetics and ontology also invites a new periodization of modern philosophy as a whole, and the habitual turn away from Kant's thing-in-itself towards an increase in philosophical "immanence" is shown to be a false dawn.

This major work will be of great interest to students and scholars of philosophy, aesthetics, art history and cultural theory.

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Yes, you can access Art and Objects by Graham Harman in PDF and/or ePUB format, as well as other popular books in Philosophy & Aesthetics in Philosophy. We have over one million books available in our catalogue for you to explore.

Information

Table of contents

  1. Cover
  2. Front Matter
  3. Abbreviations
  4. Preliminary Note
  5. Introduction: Formalism and the Lessons of Dante
  6. 1 OOO and Art: A First Summary
  7. 2 Formalism and its Flaws
  8. 3 Theatrical, Not Literal
  9. 4 The Canvas is the Message
  10. 5 After High Modernism
  11. 6 Dada, Surrealism, and Literalism
  12. 7 Weird Formalism
  13. Works Cited
  14. Index
  15. End User License Agreement