Notes
The sources for selections I–III of Coleridge’s works are:
The Collected Works of Samuel Taylor Coleridge. Edited by Kathleen Coburn, and Bart Winer. 16 vols. Bollingen Series, no. 75. Princeton: Princeton University Press; London: Routledge & Kegan Paul, 1969-
I. The Friend, Edited by Barbara E. Rooke, 1969. vol. 4, part 2, pp. 123–124.
II. The Friend, Edited by Barbara E. Rooke, 1969. vol. 4, part 1, pp. 448, 449.
III. Biographia Literaria, Edited by James Engell and W. Jackson Bate, 1983, vol. 7, part 1, pp. 191–92, 217.
The source for selection IV, from Coleridge’s Table Talk is: Specimens of the Table Talk of Samuel Taylor Coleridge. Edited by Henry Nelson Coleridge (London, 1858), pp. 10–11, 227.
The notes below are by the present editor, except as indicated.
1.Here and in the next phrase, Coleridge is remembering Oliver Goldsmith’s poem The Retaliation [1774], II. 31–36, 42. Goldsmith’s original of line 34 reads: “To persuade Tommy Townshend to lend him a vote.” Goldsmith’s assertion that Burke “to party gave up what was made for mankind” has been vigorously debated ever since the poem appeared.
2.As observed by Samuel Johnson. See Boswell’s Life of Johnson, ed. G. Birbeck Hill, rev. L. F. Powell (Oxford 1934–1950) 5:34, 465; 4:275.—BER
3.Principle and prophecy in this passage are technical terms in the vocabulary of Coleridge. They are linked with other, related terms, such as reason, idea, image, metaphor, symbol, and, ultimately, imagination. Coleridge criticized many eighteenth-century theories of the imagination, especially as exemplified in Hume, for their reliance on “the universal law of passive fancy and mechanical memory” (Biographia Literaria 1:104). In Burke, by contrast, Coleridge found a truly imaginative (as opposed to a merely “mechanical”) mind, one that habitually “reason[ed] in metaphor” (Watchman, Vol. 2, pp. 30–31 in The Collected Works of Samuel Taylor Coleridge). In his fragmentary Notebooks he compared Burke’s quality of imagination with that of Jeremy Taylor and Shakespeare: “English by its … marvelously metaphorical Spirit (… What language can exhibit a style that resembles that of Shakespere, Jeremy Taylor, or Burke?) can express more meaning, image, and passion tri-unely in a given number of articulate sounds than any other in the world, not excepting even the ancient Greek” (The Notebooks of Samuel Taylor Coleridge, ed. Kathleen Coburn. 3 vols. Bollingen Series no. 50. New York: Pantheon, 1957, 3:2431f4).
The Watchman essay [March 1, 1796], a review of Burke’s Letter to a Noble Lord [February 24, 1796], is worth consulting in its own right.