How to Win Campaigns
eBook - ePub

How to Win Campaigns

100 Steps to Success

  1. 256 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

How to Win Campaigns

100 Steps to Success

About this book

Written for the new campaigner and the experienced communicator alike, this is a comprehensive and systematic exploration of what works in campaigning, and a practical how-to guide for using principles and strategy in campaigning as a new form of public politics. Applicable to any issue and from any point of view, the book's 100 key steps and tools provide models of motivation, analysis and communication structure.Content includes how to begin a campaign, motivating people, research and development, issue mapping, planning using the campaign planning star, organizing communications including visual language, constructing campaign propositions, insight into news media, how to keep a campaign going, how to use old and new media and what to do and what not to do. The final chapter reviews the bigger picture, examining how campaigns became a form of politics. It also provides new research material on how issues mature and become 'norms', and the consequent problems for campaigning.

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Yes, you can access How to Win Campaigns by Chris Rose in PDF and/or ePUB format, as well as other popular books in Biological Sciences & Ecology. We have over one million books available in our catalogue for you to explore.

Information

Publisher
Routledge
Year
2012
eBook ISBN
9781136563850
Edition
1
Chapter 1
HOW TO BEGIN

Where to start

Find your own beginning
A book can have only one beginning but campaigns can have many different beginnings. First you need to find your own beginning, and that depends on where you are at:
• If you know your issue but you don't know exactly what you want to achieve, begin by defining your objective (see Chapter 4, ā€˜ambition box’)
• If you need to campaign because you are faced with a known specific problem, and that tells you your objective but you don't know how to get that changed, then begin with the campaign motivation sequence (this chapter)
• If you have a concern but don't know how the issue works – the forces and processes behind the problem – then start with issue mapping and gathering intelligence (Chapter 3)
• If you already run a campaign and feel a need to change strategy or tactics, try looking at factors such as resources and assets (Chapter 8)
• If you have an organization which thinks it might like to campaign but is not sure, then step back and examine the bigger picture (Chapter 11), and try locating your approach in the ambition box.
See also the campaign planning star in Chapter 4, which illustrates factors needed in generating a campaign plan and proposition.

What communication is

The two words ā€˜information’ and ā€˜communication’ are often used interchangeably, but they signify quite different things. Information is giving out; communication is getting through.
Sidney J. Harris, American journalist and author
Successful
communication needs to be two-way
Good communication isn't noticed. It's like good design: we only notice bad design. The London Underground map is often cited as a classic. We don't notice it because it fits its purpose so well (use it to walk around London, and you find it bears little resemblance to ā€˜reality’).
Forget old saws such as ā€˜getting your message across’. Campaigners who focus on ā€˜sending messages’ will never succeed: they will persuade no-one but themselves. Successful communication needs to be two-way: more telephone than megaphone, with the active involvement of both parties.
Real communication, it has been said,1 is rare and involves ā€˜the transferring of an idea from the mind of the sender to the mind of the receiver’.
If someone does not want to receive your message, they won't. Would-be communicators therefore need to understand the motivations of their audience.
All too often, communication is treated as a technical, one-way process beautifully designed to reflect the views of the sender, unsullied by the need to be effective with the receiver.
ā€˜Delivering messages’, ā€˜sending information’, ā€˜targeting advertising’: it becomes like targeting missiles – fire and forget – except that forgetting is the last thing that should be happening. Campaigners should spend at least as much time listening to the public and the target, allies and opponents they seek to influence as they spend in working on communications back in the office.
image
Figure 1.1 Basic model of communications
image
Figure 1.2 Communication model incorporating feedback
The word ā€˜audience’ wrongly implies that receivers are passive. A dialogue is usually best, and if that's impossible, repetition may succeed in ā€˜reaching’ the audience.
A popular basic model of communications is illustrated in Figure 1.1.
We all know that serious misunderstandings can occur even in one-to-one communication. Introduce a third party – such as a newspaper or radio station and its journalists' and volume may increase but noise gets into the channel because of journalistsā€š interpretations, or pollution by the thousands of other messages to which we are exposed each day.2
To improve communication, obtain feedback, whether volunteered or obtained through qualitative research.
Des Wilson, founder of Shelter, says: ā€˜Remember, the bigger the audience, the simpler the message’.3 So with public media, messages need to become simpler, compared to the complexities you can deal with in conversations at home or in the office.
image
Figure 1.3 Example of a fire safety notice

If you find a fire

The short words are best, and the old words are the best of all.
Sir Winston Churchill
Design communications
to get a result
Motivational communication follows some well-established sequences, developed and refined by generations of salespeople. A useful version for campaigns is:
awareness > alignment > engagement > action.
Take the example of a fire safety notice that you might find in a hotel.
These notices keep it simple. They look something like the example shown in Figure 1.3.
At first sight, constructing this message seems easy but, in fact, it is carefully designed. It instructs to raise the alarm first – this is in the best interests of the hotel residents. It doesn't say ā€˜call the fire brigade’ – which might be in the best financial interests of the hotel owner, but which could mean searching for a phone in smoke-filled corridors. It puts lives over property. Then it says to go to the place of safety – and only then call the fire brigade.
So it's communication with a purpose (here = save lives). You need to know why you are trying to communicate, what the objective is in terms of an action, what you want someone to do, before you can communicate effectively.
Also, the sign is very simple and it instructs rather than offering a discussion, which would not be appropriate in an emergency. It is unambiguous. Lastly, it follows the sequence shown in Table 1.1:
Awareness establishes the subject. Alignment establishes that it is relevant to everyone. Engagement is an appeal to join in – and requires a commonly available mechanism (see Chapter 2). The action is what is needed. Omit or reorder any of these steps and problems result.
Table 1.1 Sequence followed by fire safety notice
If you find a fireAwareness
We are all in dangerAlignment
Lets go this wayEngagement
We are leavingAction
image
Figure 1.4 Alternative fire safety notice
If all our communication was so simple, we'd all be more effective. Yet all too often our communication is not like this but more like the alternative fire sign shown in Figure 1.4.
This addresses the same subject: it, too, is about fire. It's ā€˜on message’. But it is not very clear and would probably lead to people frying in their rooms. It is a message about an issue, not communication designed to get a result in terms of a specific action. It invites ā€˜education’ and ā€˜networking’: things that involve reflection and discussion, and are open to interpretation.
This can occur when:
• an internal agenda is transmitted to the outside world – easily done if exhausted by getting it through the system;
• a policy or plan is transmitted as a ā€˜message’;
• everyone has a say and the message mentions every important issue;
• there is an attempt to educate rather than to motivate.

Campaign sequence

Roll your campaign
out like an unfolding story
Many of the best campaigns are planned as a simple chronology of events. Often there are only one or two fixed dates and the rest is a chain of objectives that need to be reached, like climbing from one level to another or stepping from one stone to the next, with no firm way of predicting just when that will occur.
Plan backwards from the call to action. That should be either a fixed date (such as an event) or a date that can be estimated sufficiently well to have all the necessary communications, assets and capabilities in place when it arrives. The possible start date is then generated by adding together the critical time periods ne...

Table of contents

  1. Front Cover
  2. Title Page
  3. Copyright
  4. Contents
  5. List of Figures, Tables and Boxes
  6. List of Acronyms and Abbreviations
  7. Acknowledgements
  8. Introduction
  9. 1 How To Begin
  10. 2 Communicating With Humans
  11. 3 Campaign Research and Development
  12. 4 Campaign Plans
  13. 5 Organizing Campaign Communications
  14. 6 Constructing Campaign Propositions
  15. 7 Working With News Media
  16. 8 Keeping A Campaign Going
  17. 9 Old Media, New Media
  18. 10 To Do And Not To Do
  19. 11 The Bigger Picture
  20. Notes
  21. Afterword
  22. Index