The Filmmaker's Guide to Digital Imaging
eBook - ePub

The Filmmaker's Guide to Digital Imaging

for Cinematographers, Digital Imaging Technicians, and Camera Assistants

Blain Brown

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  1. 310 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

The Filmmaker's Guide to Digital Imaging

for Cinematographers, Digital Imaging Technicians, and Camera Assistants

Blain Brown

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About This Book

It's a whole new world for cinematographers, camera assistants, and postproduction artists. New equipment, new methods, and new technologies have to be learned and mastered. New roles such as that of the DIT (Digital Imaging Technician), Digital Loader, and Data Manager are integral to today's motion picture production process. Take your mastery of these new tools, techniques, and roles to the next level with this cutting-edge roadmap from esteemed author and filmmaker Blain Brown.

The Filmmaker's Guide to Digital Imaging covers both the theory and the practice, featuring full-color, in-depth coverage of essential terminology, technology, and industry-standard best-practices. Brown covers new industry-wide production standards such as ASC-CDL and the ACES workflow. Interviews with professional cinematographers and DITs working on Hollywood productions equip you with knowledge that is essential if you want to work in today's motion picture industry, whether as a cinematographer, DIT, Digital Loader, Data Manager, camera assistant, editor, or VFX artist.

Topics include:

  • Digital sensors and cameras
  • The structure of digital images
  • Waveform monitors, vectorscopes, and test charts
  • Using linear, gamma, and log encoded video files
  • Exposure techniques for HD and UltraHD
  • Understanding digital color
  • Codecs and file formats
  • The DIT cart
  • Downloading, ingesting, and managing video files
  • Workflow from camera to DIT cart to post
  • Using metadata and timecode

The companion website (www.focalpress.com/cw/brown) features additional material, including demonstrations and interviews with experienced DITs and cinematographers.

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Information

Publisher
Routledge
Year
2014
ISBN
9781317692645
index
References to figures are shown in italics. References to tables are shown in bold.
2K video 30, 31
3D feature DIT carts 196
3G-SDI 33
4K Production Cameras (Blackmagic Design) 125
4K video 30, 31, 32, 33, 143
8K sensors 14
8K video 143
18% gray see middle (18%) gray
19ā€³ racks (or rack mounts or relay racks) 202, 203ā€“204
45 degree rule (diffuse white) 123
75% color bars (SMPTE) 50, 51ā€“53, 52ā€“53, 57
85 correction filters 134
100% Color Bars (or RGB pattern) 52, 53, 57
Academy Density Exchange Encoding (ADX) 259
Academy of Motion Picture Arts and Sciences (AMPAS) 144, 252, 256; see also ACES (Academy Color Encoding System)
ACES (Academy Color Encoding System): color spaces 142, 144, 145, 257, 259; components of system 252; digital negative 114; headroom/footroom 76, 253; history of (AMPAS and ACES 256; Cineon system (Kodak) 252ā€“253; ILM and OpenEXR 76, 118, 169ā€“170, 252, 253ā€“255, 254ā€“255, 257; Image Interchange Format (IIF) 257); picture rendering 95; Reference Rendering Transforms (RRTs) 260; scene-referred method 71, 254ā€“255, 257, 259; SMPTE ACES file format 259; terminology 259; workflow stages 258, 258
Adams, Ansel 58, 118, 127
Adams, Art: bits per stop 81; deBayering 12; diffuse white (45 degree rule) 123; DSC Labs OneShot charts 63ā€“64; expose to the right (ETTR) 123; incident and reflectance (spot) meters 119ā€“120; matrix 145ā€“146; middle (18%) gray 121ā€“122; native ISO 20ā€“21; putting black at black 122ā€“123; RAW concept 25ā€“26; S-curve 7...

Table of contents