Worldview is a cultural framework shaped by specific ontological and epistemological orientations, axiological commitments, virtues, and principles that endure across time, with each of these elements bearing influence on all phenomena that people who share a cultural heritage produce. Cultureâwhich is an integrated pattern of knowledge, values, assumptions, and social practicesâis situational, and differences exist among diverse African peoplesâthen and now, including the Diaspora. However, the frequency of common concepts, values, assumptions, and practices reflects the underlying unity among these groups and suggests how cohesive cultural factors appear and have been retained across time and geographical location (Anyanwu, 1981; Gyekye, 1987, 1997; Hazzard-Donald, 2012; Idowu, 1973; Konadu, 2010; Mbiti, 1990; Nyang, 1980; Obenga, 1989; Tedla, 1995). Thus, African Diasporan philosophies, cosmologies, and cultural concepts and practices that shape the Afrocentric praxis of Teaching for Freedom are outcomes produced by people who share an African worldview. For example, sharing responsibility for communal well-being and belongingâas a cultural concept of educating childrenâis one of these outcomes. The five elements of this African cultural framework are shown below in Figure 1.1, with the following descriptions of each element.
Heritage Knowledge and Cultural Knowledge
Heritage knowledge refers to group memory, a repository or heritable legacy that makes a feeling of belonging to oneâs people possible (Clarke, 1994; King, 2006). All cultures have heritage knowledge, which âholdsâ the cultural legacies and patterns produced by worldview that inform what is taught and how it is taught. For African Americans, this birthright is embodied in knowledge of shared African Diasporan cultural continuities, such as mutuality, spirituality, service to others, justice, and reciprocity. These cultural continuities can be seen in past and present forms of community building that include, for example, adaptive familial structures, mutual aid societies, churches, economic cooperatives, social movements, Freedom schools, and Kwanzaa; and in the relentless collective pursuit of human freedom understood as inherent and present even though denied (King & Goodwin, 2006; King & Swartz, 2014). The Afrocentric praxis of Teaching for Freedom makes it possible for all students to experience belonging in continuity with their ancestral heritage by creating instructional opportunities for them to build on and expand their heritage knowledge. For students of African ancestry, this means that they can use African Diasporan cultural continuities, such as communal responsibility and service to others as contexts for learning.
Cultural knowledge is knowledge gained about the cultural legacies and patterns in cultures other than oneâs own. When teachers learn and use cultural knowledge to plan and teach lessons in the social studies and other disciplines, the content and pedagogies they select center students by drawing upon the history and heritage of all students in general and the students they are teaching in particular. For example, we show in Chapter 3 how Harriet Tubmanâs African understanding of freedom was at the core of her response to enslavement. When teachers have this cultural knowledge, they can preserve the cultural continuity that is typically severed when figures like Tubman are lifted out of the context of their communities and cultures as special individuals who did extraordinary things. Of course Harriet Tubman was special, but keeping Tubman anchored in her cultural heritage and what it taught her explains so much more about who she was and why she acted as she did. All students benefit from this contextualized presentation of Tubman, and her story is a platform on which students of African ancestry can stand to experience the continuity of their African Diasporan legacy. In terms of pedagogy, when teachers know about the communal values and ways of being and knowing that African people such as Tubman retained in the Diaspora, they understand the logic of building a classroom community and authentic relationships with students and parents, providing opportunities for collaboration and for oral and affective expression, and building on what students know. In these ways, all students can benefit from teachersâ access to cultural knowledgeâfrom content and pedagogy that permit them to learn about diverse histories, legacies, and the worldviews that shape peopleâs assumptions, ideas, and actions. Both heritage knowledge and cultural knowledge position students as subjects with agency at the center of teaching and learning.
By using content and pedagogy that draw upon heritage knowledgeâand the worldviews studentsâ heritages reflectâwe can provide comprehensive instruction and locate students culturally. This is especially important for students of African ancestry, since over several centuries a massive cultural assault due to the Maafa (European enslavement of African people), colonialism, neo-colonialism, and white supremacy racism, has denigrated all things African. This denigration has occurred to such an extent that Africaâs cultural legacy and African American studentsâ heritage knowledge must be identified and recuperated, even if they exist and operate unconsciously (Akbar, 1984; Dixon, 1971; Nkulu-NâSengha, 2005). This is especially urgent today when the African continent remains marginalized geopolitically, Africaâs cultural legacy is omitted in school knowledge, and only crises such as war, famine, drought, and disease in Africa appear to be newsworthy.
It is important to emphasize here that this is a call for teachers at all levels to learn about African worldview and incorporate their heritage knowledge or cultural knowledge through accurate scholarship. In pre-colonial African societies, abundant evidence of Africaâs cultural legacy existed in oral, written, and material forms, some of which we provide in this volume. Scholarship in the Black intellectual tradition continues to recover this legacy, thereby helping educators to design and implement schools and liberating educational interventions in service to students and parents of African ancestry and their communities (Goodwin, 2003; King, 2006, 2008; Lee, 1993, 2007; Madhubuti & Madhubuti, 1994; MaĂŻga, 1995, 2005). The praxis of Teaching for Freedom models the use of this scholarship to identify African heritage knowledge, develop cultural knowledge, and consciously locate all students at the center of the learning experience as actors who have the knowledge, skills, and agency to produce academic and cultural excellence, develop good character, and bring just and right action into the world (Karenga, 1999, 2006a & b; King, 2006; Tedla, 1995). In this model, teachers and students are unfettered by coercive pedagogies and limited knowledge that omit or distort diverse ways of knowing and being; and they have opportunities to experience and implement African-informed values, virtues, and principles, such as community mindedness, right action, Reciprocity, and Collective Work and Responsibility.
Worldview and Freedom
The historical record provides further insight into the relationship between African worldview and practices of freedom that undergird the Afrocentric praxis of Teaching for Freedom. This relationship is seen in the experiences of freedom, justice, and social responsibility practiced in Indigenous African Nationsâa relationship that African people have continued in the Diaspora. (See King & Swartz, 2014, p. 53 for a detailed explanation of the use and capping of âNationsâ and âPeoples.â) From East to West Africa, justice, rightness, and ethical consciousness have been guiding principles that define[d] and demonstrate[d] unity among philosophies as exemplified in Ancient Kemet and in the Songhoy, Yoruba, Dogon, Bambara, and Akan...