
Cultural Nationalism and Ethnic Music in Latin America
- 224 pages
- English
- PDF
- Available on iOS & Android
Cultural Nationalism and Ethnic Music in Latin America
About this book
Music has been critical to national identity in Latin America, especially since the worldwide emphasis on nations and cultural identity that followed World War I. Unlike European countries with unified ethnic populations, Latin American nations claimed blended ethnicitiesāindigenous, Caucasian, African, and Asianāand the process of national stereotyping that began in the 1920s drew on the themes of indigenous and African cultures. Composers and performers drew on the folklore and heritage of ethnic and immigrant groups in different nations to produce what became the music representative of different countries. Mexico became the nation of mariachi bands, Argentina the land of the tango, Brazil the country of Samba, and Cuba the island of Afro-Cuban rhythms, including the rhumba. The essays collected here offer a useful introduction to the twin themes of music and national identity and melodies and ethnic identification. The contributors examine a variety of countries where powerful historical movements were shaped intentionally by music.
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Information
Table of contents
- Cover
- Half Title
- Title
- Copyright
- Dedication
- Table of Contents
- Acknowledgments
- Introduction: The Rise of Cultural Nationalism and Its Musical Expressions by William H. Beezley
- Chapter One. Music and National Identity in Mexico, 1919-1940 by William H. Beezley
- Chapter Two. La Hora Industrial vs. La Hora Intima: Mexican Music and Broadcast Media Before 1934 by Sonia Robles
- Chapter Three. Guatemalan National Identity and Popular Music by William H. Beezley
- Chapter Four. Cuban Music: Afro-Cubanism by Alejo Carpentier
- Chapter Five. An Accidental Hero (Cuban Singer in the Special Period) by Jan Fairley
- Chapter Six. CuzcatlĆ”n (El Salvador) and Maria de Barattaās Nahualismo by Robin Sacolick
- Chapter Seven. CumandĆ”: A Leitmotiv in Ecuadorian Operas? Musical Nationalism and Representation of Indigenous People by Ketty Wong
- Chapter Eight. Dueling Bandoneones: Tango and Folk Music in Argentinaās Musical Nationalism by Carolyne Ryan Larson
- Untitled
- Chapter Ten. The Opera Manchay Puytu: A Cautionary Tale Regarding Mestizos in Twentieth-Century Highland Bolivia by E. Gabrielle Kuenzli
- Chapter Eleven. Sounding Modern Identity in Mexican Film by Janet Sturman and Jennifer Jenkins
- List of Contributors
- Index