Mary Wollstonecraft
Mary Wollstonecraft (1759â1799) wrote at a time when the economic and social position of bourgeois (upper- and middle-class) European women was in decline. Up until the eighteenth century, women as well as men had done productive work (work that generated income to support a family). But then the forces of industrial capitalism began to draw labor out of the private home and into the public workplace. This industrialization moved slowly and unevenly, having the greatest impact on working-class white women who needed to work outside the home to survive. In contrast, bourgeois white women had little incentive to work outside the home or, if they had servants, even inside it. They relied on their well-to-do husbands or fathers to support them. African American women were generally already in the workforce, laboring as slaves.8
In A Vindication of the Rights of Woman,9 Mary Wollstonecraft compared women of privilege to members of âthe feathered race,â birds confined to cages with nothing to do but preen and âstalk with mock majesty from perch to perch.â10 Bourgeois white ladies were, in Wollstonecraftâs estimation, kept women who sacrificed health, liberty, and virtue for whatever prestige, pleasure, and power their husbands (or fathers or other male relations) could provide. As she saw it, these women, not allowed to exercise outdoors lest their skin tan, lacked healthy bodies. Not permitted to make their own decisions, they lacked liberty. Discouraged from developing their powers of reason, they lacked virtue.
Although Wollstonecraft did not talk about socially constructed gender roles per se, she denied that women are, by nature, more pleasure seeking and pleasure giving than men. She reasoned that if confined to the same cages as women, men would develop the same kind of âfemaleâ characteristics.11 Denied the chance to develop their rational powers, to become moral persons with concerns, causes, and commitments beyond personal pleasure, men would, like women, become overly âemotional,â a term Wollstonecraft associated with hypersensitivity, extreme narcissism, and excessive self-indulgence.
Accordingly, Wollstonecraft abhorred philosopher Jean-Jacques Rousseauâs Emile.12 In this classic of educational philosophy targeting the literate bourgeoisie, Rousseau portrayed the development of rationality as the most important educational goal for boys but not for girls. He was committed to sexual dimorphism, the view that rational man is the perfect complement for emotional woman, and vice versa.13 As he saw it, men should be educated in such virtues as courage, temperance, justice, and fortitude, whereas women should be educated in patience, docility, good humor, and flexibility. Thus, Rousseauâs ideal male student, Emile, studies the humanities and the social and natural sciences, whereas Rousseauâs ideal female student, Sophie, dabbles in music, art, fiction, and poetry while refining her homemaking skills. Rousseau hoped sharpening Emileâs mental capacities and limiting Sophieâs would make of Emile a self-governing citizen and a dutiful head of family and of Sophie an understanding, responsive wife and a caring, loving mother.
Wollstonecraft agreed with Rousseauâs projections for Emile but not with those for Sophie. Drawing on her familiarity with bourgeois white women, she predicted that, fed a steady diet of ânovels, music, poetry, and gallantry,â Sophie would become a detriment rather than a complement to her husband, a creature of poor sensibility rather than good sense.14 Her hormones surging, her passions erupting, her emotions churning, Sophie would show no practical sense in performing her wifely and, especially, her motherly duties.
Wollstonecraftâs cure for Sophie was to provide her, like Emile, with the kind of education that permits people to develop their rational and moral capacities, their full human potential. At times, Wollstonecraft constructed her argument in favor of educational parity in utilitarian terms. She claimed that unlike emotional and dependent women, who routinely shirked their domestic duties and indulged their carnal desires, rational and independent women tended to be âobservant daughters,â âaffectionate sisters,â âfaithful wives,â and âreasonable mothers.â15 The truly educated woman would be a major contributor to societyâs welfare. Wollstonecraftâs line of reasoning in A Vindication of the Rights of Woman is remarkably similar to that of eighteenth-century philosopher Immanuel Kant in Groundwork of the Metaphysics of Moralsânamely, that unless people act autonomously, they act as less than fully human persons.16 Wollstonecraft insisted that women as well as men deserve an equal chance to develop into autonomous agents.
Repeatedly, and somewhat problematically, Wollstonecraft celebrated reason, usually at the expense of emotion. As Jane Roland Martin said, âIn making her case for the rights of women . . . [Wollstonecraft] presents us with an ideal of female education that gives pride of place to traits traditionally associated with males at the expense of others traditionally associated with females.â17 Wollstonecraft never questioned the value of traditional male traits. On the contrary, she simply assumed that they were good and traditional female traits were rationally and morally deficient.
Throughout the pages of A Vindication of the Rights of Woman, Wollstonecraft urged women to become autonomous decision makers. But beyond insisting that the path to autonomy passes through the academy, she provided women with little concrete guidance.18 Although Wollstonecraft toyed with the idea that womenâs autonomy might depend on their economic and political independence from men, in the end she decided welleducated women did not need to be economically self-sufficient or politically active to be autonomous. In fact, she dismissed the womenâs suffrage movement as a waste of time because she saw the whole system of legal representation as merely a âconvenient handle for despotism.â19
Despite the limitations of her analysis, Wollstonecraft presented a vision of a woman strong in mind and body, a person who is not a slave to her passions, her husband, or her children. For Wollstonecraft, the ideal woman is less interested in self-indulgence than in exercising self-control.20 To liberate herself from the oppressive roles of emotional cripple, petty shrew, and narcissistic sex object, a woman must obey the commands of reason and discharge her wifely and motherly duties faithfully.
Wollstonecraft most wanted personhood for women. She claimed that a woman should not be reduced to the âtoy of man, his rattle,â which âmust jingle in his ears whenever, dismissing reason, he chooses to be amused.â21 In other words, a woman is not a mere instrument of a manâs pleasure or happiness. Rather, she is, as Kant would say, an end in herself, a rational agent whose dignity consists in having the capacity for self-determination.22