Key figures:
Edward Burnett (E. B.) Tylor (1832–1917)
Sigmund Freud (1856–1939)
Lucien Lévy-Bruhl (1857–1939)
Franz Boas (1858–1942)
William Halse Rivers (W. H. R.) Rivers (1864–1922)
Key texts:
Primitive Culture (1871)
How Natives Think (originally published as Les fonctiones mentales dans les sociétés inférieures, 1910)
The Mind of Primitive Man (1911)
Totem and Taboo (1913)
Sex and Repression in Savage Society (1927)
The eminent twentieth-century anthropologist Claude Lévi-Strauss wrote that anthropology, more specifically ethnology or the description and analysis of humankind’s diverse cultures, “is first of all psychology” (1966: 131). We hope that he is wrong as this would make anthropology redundant or reduce it to a branch of another discipline, and indeed, he is wrong as anthropology has a different mission and different methods than psychology. Yet anthropology and psychology have been close companions since the 1800s, when both fields began to coalesce into their modern forms. Many of the early contributors to anthropology were professional psychologists, and many early professional anthropologists asked explicitly psychological questions while borrowing psychological theories and tools, like intelligence tests and Rorschach inkblots.
Especially in the United States but also in France and Germany, psychological concerns have pervaded anthropology and continue to do so; in fact, they may do so more today than at any time since the 1970s. American cultural anthropology in particular has actually spawned a number of specializations and subdisciplines, from psychoanalytic anthropology to culture-and-personality to ethnoscience or componential analysis to cognitive anthropology and neuroanthropology. The heyday of psychologically oriented anthropology was probably the 1960s and 1970s, when Francis Hsu (1972b: 6) proposed a new and more inclusive name for the subdiscipline—psychological anthropology.
Setting the question
Everyone (well, almost everyone) can agree that culture and the individual are intimately linked: culture shapes individual thought, feeling, and behavior, while individual action produces and reproduces cultural ideas, norms, relations, and institutions. It is of course possible to investigate cultural and social phenomena without appeal to psychology—just as it is possible to study, say, mathematics without referring to brain processes, although to be sure, doing math requires brain processes—and most ethnographic research makes no specific mention of it. However, culture only exists because of certain evolved human mental capacities and tendencies (see Chapter 10), and, as psychologists have also discovered, human psychological processes are not independent of culture—are not “precultural”—but are reciprocally influenced by social experience.
What then is psychological anthropology? Hsu gave a very broad answer, asserting that it includes any work
Among the most persistent topics in psychological anthropology, particularly in its early to mid-twentieth-century manifestation, have been
including mental illness and altered states of consciousness, like dreams and trance.
Finally, acknowledging that anthropologists are not the only scholars interested in social influences on thought or in cross-cultural differences in cognition, Hsu contrasted psychological anthropology with social psychology in the following ways:
Admittedly, these distinctions are not as sharp today as they were half a century ago: some psychological research is truly cross-cultural, even ethnographic, while some anthropological research is quantitative and methodologically rigorous.
Defining “culture” and “personality”
In the noble and ambitious calling of psychological anthropology, a major obstacle has been deciding on and defining key terms for identifying and differentiating the collective and the individual, the external and the internal, the social and the mental, variables of behavior. The initial decades of the twentieth century, as we will soon see, leaned heavily on the concepts of “culture” and “personality,” although especially in regard to the latter, many rival, overlapping but not synonymous, terms vied and still vie for a place in the discourse, including “mentality,” “mind,” “character,” “self,” “person,” “cognition,” and so forth. Neither anthropologists nor psychologists are entirely unanimous on the meaning of these terms nor, therefore, on their interrelation.
Beginning with culture, anthropologists recognize Edward Burnett (E. B.) Tylor as probably the first scholar to give an anthropological definition of culture in his 1871 Primitive Culture, where the opening sentence of the book reads, “Culture or Civilization, taken in its wide ethnographic sense, is that complex whole which includes knowledge, belief, art, morals, law, custom, and any other capabilities and habits acquired by man as a member of society” (1958: 1). The noteworthy features of this definition are its reference to mental content like knowledge and belief, its emphasis on acquisition or learning, and its appreciation of social membership—and thus, potentially, the differences in knowledge, belief, and learning in different societies.
Others have defined culture in similar but varying ways. In his 1963 Culture and Personality, Victor Barnouw characterized it as
Ralph Linton, one of the champions of culture-and-personality analysis at mid-century, characterized culture as “the configuration of behavior and results of behavior whose component elements are shared and transmitted by the members of a particular society” (1945: 32), reflecting a Tylorian view; emphasizing the place of the individual in culture, Linton went on to state that “real culture” is the sum of the behavioral configurations of all the members of a society (in other words, add up all the individuals, and you have “culture”), while the “culture construct” is a creation of the anthropologist who intuits (if not invents) “the mode of the finite series of variations which are included within each of the real culture patterns and then uss this mode as a symbol for the real culture pattern” (45). In a later summary of the field, Anthony Wallace rephrased his definition of culture to designate “those ways of behavior or techniques of solving problems which, being more frequently and more closely approximated than other ways, can be said to have a high probability of use by individual members of society” (1964: 6).
Assuredly, there are many other definitions of culture, some stressing thought and others stressing action, some including material objects and others not. If anything, the situation is even more fraught when it comes to the subject of personality—for which one might substitute (and many have substituted) mind, character, or other words. Barnouw considered personality to be “a more or less enduring organization of forces within the individual associated with a complex of fairly consistent attitudes, values, and modes of perception which account, in part, for the individual’s consistency of behavior” (1963: 10). Wallace defined the term simply to mean “those ways of behavior or techniques of solving problems which have a high probability of use by one individual” (1964: 7), but Linton expanded considerably on the concept; for him, personality referred to
For his part, Robert LeVine made an effort to unpack the term a bit, asserting that personality “is the organization in the individual of those processes that intervene between environmental conditions and behavioral responses,” adding that it consists of many variables, such as “perception, cognition, memory, learning, and the activation of emotional reactions—as they are organized and regulated in the individual organism” (1973: 5). Articulating the concept further, he distinguished between “observable behavioral consistencies” which he called “personality indicators”; the underlying psychological complex of “motivational, affective, and cognitive components and multiple forms of expression” which he called “personality dispositions”; and the structured “personality organization” in which those dispositions are embedded (9).
The relationship(s) between culture and personality
Given the imprecision of its two fundamental terms, it is little wonder that anthropologists (and others) disagree about the actual relationship between culture (or shared, public processes and content) and personality (or individual, internal processes and content). British social anthropologist S. F. Nadel, for instance, was quick to insist that scientists
—in fact, probably two inverse circles: one in which culture causes personality and the other in which personality causes culture.
LeVine hypothesized that observers had advocated at least five different positions on the question of the relationship between culture and personality or, more generally and less argumentatively, between culture and the individual. First were those positions that were frankly disinterested in, if not hostile to, the issue of personality/individual altogether. Among these are Alfred Kroeber’s view of the “superorganic” nature of culture—that is, that culture has its own level of reality apart from and above the individual—and the “culturology” of Leslie White, who believed expressly that anthropology should be the study of culture and not of the individual (see Chapter 3). Alongside Kroeber and White, LeVine counted the symbolic interactionists who explained behavior in terms of meanings and situations, both external to the individual; we might add the behaviorists, who considered personality as at best a “black box” of unknown and unknowable factors and at worst an academic fiction, and at least some Marxists, who viewed individuals as less relevant than—even as mere instantiations of—class and economic relations.
Second, LeVine posited the “psychological reductionists” for whom culture could and should be explained (away?) simply in terms of personality: in the reverse of anti-personality theories, psychological processes and forces are real, and “culture” is a mere epiphenomenon of that internal world. LeVine indicted Freudian psychology as the “major contemporary reductionism” (1973: 48) for claiming to find the root of sophisticated cultural matters like art and religion in child-rearing practices and, even more reductively, in psychological (or biological) drives and mental structures like the id, ego, and superego.
Ironically, this psychol...