Bibliography
Abercrombie, N. (1996) Television and Society, Cambridge: Polity.
Abt, V. and Seesholtz, M. (1998) āTalking us down: the shameless world revisitedā, Journal of Popular Film and Television 26 (1, Spring).
Allen, D. and Kaur, R. (1993) āRace and racismā, in K. McLeish (ed.) Bloomsbury Guide to Human Thought: Ideas that Shaped the World, London: Bloomsbury.
Allen, R. C. (1985) Speaking of Soap Operas, Chapel Hill: University of North Carolina Press.
āā(1987) Channels of Discourse, London: Methuen.
āā(ed.) (1992) Channels of Discourse Reassembled, London: Routledge.
āā(1995) To Be Continued: Soap Operas Around the World, London and New York: Routledge.
āā(2004) āFrequently asked questions: a general introduction to the Readerā, in R. C. Allen and A. Hill (eds) The Television Studies Reader, London and New York: Routledge.
Allen, R. C. and Hill, A. (eds) (2004) The Television Studies Reader, London and New York: Routledge.
Althusser, L. (1971) āIdeology and ideological state apparatusesā, in L. Althusser, Lenin and Philosophy, London: New Left Books.
Andrejevic, M. (2003) Reality TV: The Work of Being Watched, New York: Rowman and Littlefield.
Ang, I. (1985) Watching Dallas: Soap Opera and the Melodramatic Imagination, London: Methuen.
āā(1996) Living Room Wars: Rethinking Media Audiences for a Postmodern World, London and New York: Routledge.
Appadurai, A. (1990) āDisjuncture and difference in the global cultural economyā, in M. Featherstone (ed.) Global Culture: Nationalism, Globalization and Modernity, London: Sage.
Arbuthnot, L. and Seneca, G. (1990) āPretext and text in Gentlemen Prefer Blondesā, in P. Erens (ed.) Issues in Feminist Film Criticism, Bloomington: Indiana University Press.
AriƩs, R. (1973) Centuries of Childhood, Harmondsworth: Penguin.
Armes, R. (1988) On Video, London: Routledge.
Arnold, M. (1960 [1869]) Culture and Anarchy, London: Cambridge University Press.
Arthurs, J. (2004) Television and Sexuality: Regulation and the Politics of Taste, Maidenhead and New York: Open University Press.
Baehr, H. and Dyer, G. (eds) (1987) Boxed In: Women and Television, New York and London: Pandora.
Barker, C. (1997) Global Television: An Introduction, Oxford: Blackwell.
āā(1999) Television, Globalisation and Cultural Identities, Buckingham: Open University Press.
Barthes, R. (1972) Mythologies, New York: Noonday Press.
āā(1974) S/Z, New York: Hill and Wang.
āā(1988) āThe old rhetoric: an aide-memoireā, in R. Barthes, The Semiotic Challenge, trans. Richard Howard, New York: Hill and Wang.
Baudrillard, J. (1983) Simulations, New York: Semiotext.
āā(1988) Selected Writings, ed. M. Poster, Stanford: Stanford University Press.
Bell, A. (1991) The Language of News Media, Oxford: Blackwell.
Belsen, W. (1978) Television Violence and the Adolescent Boy, Farnborough: Saxon House.
Belsey, C. (2002) Post-Structuralism: A Very Short Introduction, Oxford: Oxford University Press.
Benjamin, W. (1973) Illuminations, London: Fontana.
Bennett, T. (1981) āPopular culture: defining our termsā, in T. Bennett, Popular Culture: Themes and Issues, Unit 1/2, Milton Keynes: Open University Press.
Bennett, T., Boyd-Bowman, S., Mercer, C. and Woollacott, J. (eds) (1981) Popular Television and Film, London: BFI/Open University Press.
Bennett, T., Martin, G., Mercer, C. and Woollacott, J. (eds) (1981) Culture, Ideology and Social Process, Milton Keynes: Open University Press.
Berger, A. (1991) Media Analysis Techniques, California, London, Delhi: Sage.
āā(1995) Cultural Criticism: A Primer of Key Concepts, Foundations of Popular Culture, Vol. 4, Thousand Oaks, London, Delhi: Sage.
Bettelheim, B. (1969) The Children of the Dream, London: Thames and Hudson.
Bhaba, H. (1994) The Location of Culture, London: Routledge.
Bignell, J. (2002) Media Semiotics: An Introduction, second edition, Manchester and New York: Manchester University Press.
āā(2004) An Introduction to Television Studies, London: Routledge.
āā(2005a) āFamiliar aliens: Teletubbies and postmodern childhoodā, Screen 46 (3): 373ā87.
āā(2005b) Big Brother: Reality TV in the Twenty-first Century, Hampshire: Palgrave Macmillan.
Bignell, J. and Lacey, S. (eds) (2005) Popular Television Drama: Critical Perspectives, Manchester and New York: Manchester University Press.
Biressi, A. and Nunn, H. (2004) Reality TV: Realism and Revelation, London: Wallflower Press.
Birrell, S: and Loy, J. (1979) āMedia sport: hot and coolā, International Review of Sport Sociology 14 (1): 5ā19.
Blumler, J. (1991) āThe new television marketplace: imperatives, implications, issuesā, in J. Curran and M. Gurevitch (eds) Mass Media and Society, London: Methuen.
Blumler, J. and Biltereyst, D. (1998) The Integrity and Erosion of Public Television for Children, Brussels: European Institute for the Media, European Broadcasting Union.
Blumler, J. and Katz, E. (eds) (1974) The Uses of Mass Communications, London: Sage.
Bogle, D. (1973) Toms, Coons, Mulattoes, Mammies and Bucks: An Interpretative History of Blacks in American Films, New York: Viking.
Bonner, F. (2003) Ordinary Television, London: Sage.
Bourdieu, P. (1986) Distinction: A Social Critique of the Judgement of Taste, trans. R. Nice, Cambridge, MA: Harvard University Press.
Bowes, M. (1990) āOnly when I laughā, in A. Goodwin and G. Whannel (eds) Understanding Television, London: Routledge.
Boyd-Barrett, O. and Newbold, C. (eds) (1995) Approaches to Media: A Reader, London and New York: Arnold.
Boyle, K. (2004) Media and Violence: Gendering the Debates, London: Sage.
Braham, P. (1987) Media Effects, Buckingham: Open University Press.
Brandt, G. (ed.) (1993) British Television Drama in the 1980s, Cambridge: Cambridge University Press.
Branston, G. (1998) āHistories of British televisionā, in C. Geraghty and D. Lusted (eds) The Television Studies Book, London and New York: Arnold.
Branston, G. and Stafford, R. (2006) The Media Studentās Book, second edition, London: Routledge.
Briggs, A. (1961) The History of Broadcasting in the United Kingdom. Vol. I, The Birth of Broadcasting, London: Oxford University Press.
āā(1965) The History of Broadcasting in the United Kingdom. Vol. II, The Golden Age of Wireless, London: Oxford University Press.
āā(1970) The History of Broadcasting in the United Kingdom. Vol. III, The War of Words, London: Oxford University Press.
āā(1979) The History of Broadcasting in the United Kingdom. Vol. IV, Sound and Vision, London: Oxford University Press.
āā(1995) The History of Broadcasting in the United Kingdom. Vol. V, Competition 1955ā1974, Oxford: Oxford University Press.
Broadcasting Act (1990) Public General Acts ā Elizabeth II, chapter 42, London: The Stationery Office.
Brooker, E. (1999) A Concise Glossary of Cultural Theory, London: Arnold.
Brooker, M. and Brooker, W. (eds) (1997) Postmodern Afterimages, London: Arnold.
Brooker, W. (1998) Teach Yourself Cultural Studies, London: Hodder Headline.
Brookes, R. (2002) Representing Sport, London: Arnold.
Brooks, P. (1976) The Melodramatic Imagination, Newhaven, CO: Yale University Press.
Brower, S. (1992) āFans as tastemakers: viewers for quality televisionā, in L. Lewis (ed.) The Adoring Audience: Fan Culture and Popular Media, London: Routledge.
Brown, M.B. (1987) āThe politics of soaps: pleasure and feminine empowermentā, Australian Journal of Cultural Studies 4 (2): 1ā25.
Brown, M.E. (2004) āWomen and soap opera: resistive readingsā, in C. Carter and L. Steiner (eds) Critical Readings: Media and Gender, Maidenhead: Open University Press.
Brunsdon, C. (1981) āCrossroads: notes on soap operaā, Screen 22 (4): 32ā7.
āā(1984) āWriting about soap operaā, in L. Masterman (ed.) Television Mythologies: Stars, Shows, and Signs, London: Comedia/MK Media Press.
āā(1988) āFeminism and soap operaā, in K. Davies, J. Dickey and T. Stratford (eds) Out of Focus: Writing on Women and the Media, London: The Womenās Press.
āā(1998) āWhat is the āātelevisionāā of television studies?ā in C. Geraghty and D. Lusted (eds) The Television Studies Book, London and New York: Arnold.
Brunsdon, C., DāAcci, J. and Spigel, L. (eds) (1997) Feminist Television Criticism: A Reader, Oxford: Oxford University Press.
Buckingham, D. (1987) Public Secrets: EastEnders and its Audience, London: BFI.
āā(1993a) Children Talking Television: The Making of Television Literacy, London: Falmer Press.
āā(1993b) Reading Audiences: Young People and the Media, Manchester and New York: Manchester University Press.
āā(ed.) (2002) Small Screens: Television for Children, London and New York: Leicester University Press.
Burnett, R. (1996) The Global Jukebox: The International Music Industry, London: Routledge.
Burns, T. (1977) The BBC: Public Institution and Private World, London: Macmillan.
Burton, G. (2000) Talking Television: An Introduction to the Study of Television, London: Arnold.
āā(2005) Media and Society: Critical Perspectives, Maidenhead: Open University Press.
Butler, J. (1990) Gender Trouble: Feminism and the Subversion of Identity, London and New York: Routledge.
Butsch, R. (1995) āRalph, Fred, Archie and Homer: why television keeps recreating the white male working-class buffoonā, in G. Dines and J. Humez (eds) Gender, Race and Class in Media, Thousand Oaks, London, New Delhi: Sage.
Byars, J. (1991) All that Hollywood Allows: Re-reading Gender in 1950s Melodrama, Chapel Hill: University of North Carolina Press.
Calvert, C. (2000) Voyeur Nation: Media, Privacy and Peering in Modern Culture, Colorado: Westview Press.
Cantor, M. and Pingree, S. (1983) The Soap Opera, Beverly Hills, CA: Sage.
Carr, E. H. (1961) What is History? Harmondsworth: Penguin.
Carter, C. and Steiner, L. (eds) (2004) Critical Readings: Media and Gender, Maidenhead: Open University Press.
Cashmore, E. (1996) Making Sense of Sports, London: Routledge.
Castro, J. (1988) āWomen in television: an uphill battleā, Channels, ...