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On the Track
A Guide to Contemporary Film Scoring
Fred Karlin, Rayburn Wright
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- 560 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
On the Track
A Guide to Contemporary Film Scoring
Fred Karlin, Rayburn Wright
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About This Book
On the Track offers a comprehensive guide to scoring for film and television. Covering all styles and genres, the authors, both noted film composers, cover everything from the nuts-and-bolts of timing, cuing, and recording through balancing the composer's aesthetic vision with the needs of the film itself. Unlike other books that are aimed at the person "dreaming" of a career, this is truly a guide that can be used by everyone from students to technically sophisticated professionals. It contains over 100 interviews with noted composers, illustrating the many technical points made through the text.
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Index
- Pages with photographs are bold face.
- Significant subentries with the Index include: Budgets, Business, Composing, (the) Director, Dubbing, Electronic music and scoring, Ethnic/geographic, Harmony, Orchestration, Playing the drama, Recording: Scoring/the scoring stage, Role models, Scoring for television, Songs for films, Spotting the film, Timings and clicks, Using contemporary music, and Using rhythm.
A
- Acoustic recreations (electronic), 369–370
- Acting, importance to composer, 37
- Adagio for Strings (Samuel Barber), 30 and 467 (in Platoon)
- Adaptation, music used, scores written, Breaking Away (Mendelssohn and Rossini), 30, 60, 219
- Mendelssohn, Felix, 24, 219
- Platoon (Adagio for Strings), 39, 467
- Prizzi's Honor (Puccini and Rossini), 60, 187
- Rossini, Gioacchino, 219
- They Shoot Horses, Don't They?, 442
- Adapting a theme, 219
- Addison, John, 7, 221, 222, 323, 329, 365, 471, 473
- Affair of the Necklace, The 182, 183–184 (Fig. 11.1)
- Afterglow, (marked score) 345 (Fig. 18.1)
- A. F. of M. See American Federation of Musicians.
- Agents, composers', 58
- composer/agent deal points, 462–463
- Agnes of God 132, 136 (Fig. 10.2), 150, 157 (Fig. 10.14), 176
- Agony and the Ecstasy, The, 195, 240
- A.I. Artificial Intelligence 142 (Fig. 10.6), 143, 177,...