
- 252 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
About this book
Mae West, wise-cracking vaudeville performer, was one of the most controversial figures of her era. Rarely, however, do people think of Mae West as a writer. In Three Plays By Mae West, Lillian Schlissel brings this underexplored part of West's career to the fore by offering for the first time in book form, three of the plays West wrote in the 1920s--Sex (1926), The Drag (1927) and Pleasure Man (1928). With an insightful introduction by Schlissel, this book offers a unique look into to the life and early career of this legendary stage and screen actress.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Three Plays by Mae West by Lillian Schlissel in PDF and/or ePUB format, as well as other popular books in Literature & Drama. We have over one million books available in our catalogue for you to explore.
Information
SEX
A Comedy Drama (1926)
THE CAST
| MARGY LaMont, a prostitute | Captain Carter, an officer |
| Rocky Waldron, a pimp | Condez, host of the Cafe Port au Prince |
| Manly a thug | |
| Curley, a pimp | CLARA STANTON, a wealthy woman |
| Dawson, an officer of the law | JIMMY STANTON, her son |
| Agnes, a prostitute Red, a prostitute | Robert STANTON, her husband |
| Flossie, a prostitute | MARIE, the STANTONsā French maid |
| Jones, a client | JENKINS, the STANTONsā butler Policeman |
| Lieutenant Gregg, an English naval officer | First Man, Second Man, Waiter |
The action takes place in Montrealās red light district; a cafe in Trinidad; and in a wealthy home outside New York City. The role of MARGY LaMont was played by Mae West.
| Act One. | SCENEONE. An āapartmentā on Caidoux Street inMontreal.SCENE TWO. The same. |
| ACT TWO. | SCENEONE. Trinidad, the Cafe Port au Prince.SCENE TWO. One week later. |
| ACT THREE. | SCENEONE. The STANTON residence.SCENE TWO. The same, the next day. |
The copyright script of Sex is dated July 24, 1926, three months after the play opened at Dalyās 63rd Street Theatre on April 26th. The cover page shows Mae West as author, but the play was originally attributed to Jane Mast, a pseudonym that was a combination of Matilda Westās middle name and the first two letters of Mae Westās given and surnames. The script was hastily typedāit contains a profusion of errors and inaccuracies.
The script offers no description of the set. In several places stage directions have been added where none appear.
ACT ONE
SCENEONE
An āapartmentā MARGY shares with the blackmailer ROCKY on Caidoux Street, in Montrealās notorious red light district Night. The curtain rises in the middle of a conversation between ROCKY and MANLY, with CURLEY off to the side.
| Rocky | You ought to be lousy with coin. You aināt depending on any particular lady friend for your jack. Whatās the matter, aināt the police giving you fifty-fifty on the graft you collect? |
| Manly | Aw. |
| Rocky | Donāt try to tell meā |
| Manly | Keep your shirt onātake a tip, old man, and watch your step. |
| Rocky | What theā |
| Manly | Whoās the swell dame you been running around with the last week? Some class to you, picking up a jane at the Ritzāthe police have got you spotted. |
| Rocky | What do you know? |
| Manly | The last one you picked up, sheās the kindāll squeal. |
| Rocky | Iāll take the chance. |
| Manly | Yeah? Whatās the lay? |
| Rocky | Whatās it to you? |
| Manly | Thatās enough. |
| Rocky | Are you trying to shake me down? |
| Manly | Iām giving you a tip straight. |
| Rocky | Youāll not get any of my money. |
| Manly | Your money? (Laughs.) |
| Rocky | Yes mine. And you stop butting into my affairs. |
| Manly | Your affairs? Say youāre none too safe here yourselfāget that and get it straight. |
| Rocky | Well, itāll take more than a low down graft collector like you to tell it to me. |
| Manly | Yeah? Alright. If I canāt collect Iāll send someone in who will. |
| (Exit MANLY.) | |
| Rocky | Can you tie that, Curley? |
| Curley | Let him squawk. Heās looking for a meal. |
| Rocky | Come on, snap into it. Get some duds on and come up to the Ritz with me. |
| Curley | Not tonight, Rocky Iām broke. |
| Rocky | With the British Fleet in the harborāwhatās wrong? Agnes holding out on youāyou should worryāMontreal is full of janes glad to supply the bank roll for a pretty kid like you. |
| Curley | Iām kinder used to Agnes, Iād hate to change now. |
| Rocky | Aināt you the kind-hearted dearie. |
| Curley | Well I got no kick coming, Iāve got it pretty soft, Agnes donāt hold out on me. |
| (Enter AGNES.) | |
| Rocky | Hello, Agnes. |
| Agnes | Oh, there you are Curley, I thought Iād find you here. |
| Curley | Alright dear, Iāll be right with you. |
| Agnes | Whereās MARGY? |
| Rocky | In her room, I guess sheās awake. |
| (Exit AGNES.) | |
| Curley | Iāll see you later Rocky. (Opens door.) Here comes Dawson. |
| (Enter DAWSON.) | |
| Dawson (Enters) | Hello. |
| (Enter AGNES.) | |
| Rocky | Hello Dawson. |
| Curley | Hello Dawson. |
| Acnes | Hello Dawson. |
| Curley | Iāll be around tomorrow Rocky. Good night. |
(Exit CURLEY and AGNES.)
| Dawson | Business must be good the way you got this dump all dolled up. |
| Rocky | Donāt call this joint a dump. |
| Dawson | I met Manly outside and he said you were a pretty tough customer. |
| Rocky | Yeah? |
| Dawson | If you think you can run this joint without giving [it] up, youāve got another think coming. |
| Rocky | Look here, Dawson, Iām a pretty good sort of scout, but I donāt like being hounded by a guy like Manly. |
| Dawson | Cut the argument and pay up. |
| Rocky | Pay up? Hey MARGY! MARGY! |
| MARGY | What do you want? |
| Rocky | Come out here. Pay up. |
| MARGY (Enters) | Well, whatās all the noise? |
| Rocky | Dawson wants [his] commission. |
| MARGY | Commission? Is that all he wants? Let him try and get it. |
| Dawson | Now look hereāYou listen to me. |
| MARGY | Just a minute, I donāt want any unnecessary noise around here. I had a pretty busy night last night and my nerves need quiet. (She lights a cigarette.) |
| Dawson | What do you think this is? An ash can? Donāt try to pull that wise stuff on me. You been getting away with murder. |
| MARGY | I donāt see why I should pay for the privilege of working. You got about all youāre going to get out of me. |
| Dawson | Well, if thatās the way you feel about it, weāll see how far you get. |
| MARGY | Donāt slam the door on the way out. |
(Exit DAWSON. Door slams.) He did.
| Rocky | Looks like he... |
Table of contents
- Cover
- Halftitle
- Title
- Copyright
- Contents
- Introduction by Lillian Schlissel
- Sex: A Comedy Drama (1926)
- The Drag: A Homosexual Comedy In Three Acts (1927)
- The Pleasure Man: A Comedy Drama (1928)
- The Case against Mae West
- A Glossary Of Technical Stage Terms