Some Preliminary Considerations
At the very beginning of this chapter, a short note of apology seems to be appropriate. When the editor confirmed my positive answer to the invitation to write this contribution, I felt flattered by his words āI am glad that you approach the area of Buddhist philosophy not only with a philological and historical interest, but also with a philosophical one ā this, after all, makes it really interesting.ā I felt flattered, because in my youth philosophy appeared to me to be the peak of human activities. Throughout my working life, I nonetheless never even came near these high ranges, and while facing the task of preparing this paper I had to admit to myself that my philosophical interest is actually quite minimal by now, and more and more my hopes focus rather on philology strictly speaking, especially when the questions to be addressed are within the framework of āBuddhistāChristian Dialogueā. For āphilologyā, as I would like to understand it, is an area of exercise in the never-ending social process of understanding information which originates from human sources with the intention to be understood by another human being, thus providing a basis for a dialogue which aims at mutual understanding rather than at preparing for non-verbal application of sticks or bombs.
The inter-linguistic and inter-cultural difficulties and impediments that are met with are well known.1 Projects like the present one, however, testify to the fact that a possibility to overcome these difficulties in a meaningful way is still to be hoped for, and is certainly preferable to the alternatives of cultural solipsism and military monism which result from intellectual attitudes such as those of the recently fashionable hermeneutical despair.
Intra-culturally, we are confronted with similar difficulties. Debates between different strands of Indian societies, too, are held in the same language and use roughly the same logical forms, and yet they often tend to end in irreconcilable differences. Precise conceptual clarity and neatness is therefore required in order to discover the ā mostly ā silent presuppositions brought into such debates based on backgrounds of different social conditions, motivations, and aims.
In my following attempt to fulfil the task requested in the title of my paper, I shall naturally stay within the borders of the Indian culture. And, in order not to be possibly misread in an inter-cultural discourse, I will try, as closely as possible, to identify the key concepts by their function in context. In addition, in order to do justice to those key concepts also within intra-cultural debates, we must take into account both the starting point and the direction of these debates. For, as a rule, a specific polemical argument tends to be selective and limitative from the beginning: it chooses targets and prepares them for easier destruction through weapons wielded in the ownerās factory. Consequently, the theories and concepts of the party under polemical attack are always broader and more meaningful in their natural and homogeneous conceptual environment than when put up as isolated targets in polemics.
I shall therefore structure my paper in the following way: before looking at the various arguments developed by Buddhist traditions and philosophers, I will introduce some examples of ācreationā concepts from the early brahmanical and Hindu context which the Buddhists respond to in their critiques. This should reveal at least the more important reasons for their polemical efforts and identify the specific types of their targets. Since the Buddhists were quite selective, targeting not even all the main Indian doctrines of creation, this survey will really be no more than a typological one, with no comprehensiveness intended. Subsequently, I will summarize the historical development of the Buddhist arguments, attempt to identify the Buddhistsā reasons for their critical enterprise, and finally, I shall present in more detail, but again only as an example, a particular argument which was elaborated by one of the most influential and differentiating Buddhist philosophers, DharmakÄ«rti.
It will remain to be seen whether any of these arguments can be transferred meaningfully to the ChristianāBuddhist dialogue, and whether any objective can be seen in such an enterprise. Nineteenth- and early twentieth-century Buddhists tried to use their traditional polemical lore to confront Christian ideas in much the same way as it had been used against the concepts developed by Indian theistic traditions. This, however, is not my topic, and will be dealt with in a later chapter.2
Creator and Creation in Traditional Hindu Thought
āCreationā together with its various explanations in India is an answer to the question of āWhy are we, here and now?ā The question is searching for a first cause. By the time of the Buddhaās appearance, many answers had already been given. Starting from the later parts of the į¹gveda to the earlier Upaniį¹£ads, mythic notions of beginnings within a pre-existing set-up of the Vedic gods prevailed.3 Some cosmogonic hymns of the į¹gveda speak of a personal creator-god, ViÅvakarman (āWhose acting is the universeā), who as a priest carries out creation as a sacrifice, and who works with pre-existing unformed material in the manner of a craftsman. In the hymn to puruį¹£a (āmanā) (į¹gveda 10.90), we find the idea of an emanation of the universe, including the macro cosmos and our worldly surrounding with its social institutions, from a single entity, the puruį¹£a, as causa materialis. This is a clearly monistic tradition, identifying the cause as āthe Oneā (tad ekam), but naming it by the names of the great Vedic gods Indra, Varuį¹a, or Agni.4 The early Upaniį¹£ads identified this Vedic āOneā with brĆ”hman, the truth of the Vedic word and reality of everything existent, the source and substance of the world in matter and consciousness, and finally identified this impersonal principle with the conscious core in living beings, the āSelfā (Ätman). Vedic polytheism thus gave way to Upaniį¹£adic monism, and the Vedic gods were relegated to the realm of the finite with their tasks. The absolute brĆ”hman does not necessarily require a creator of the universe. The created world could be seen as being only phenomenal, an illusion, and a falsely imagined transformation of the ultimate reality. Such ideas do not, however, exclude the assumption of a temporarily active creator-god as long as the impersonality of the absolute brĆ”hman is not associated with a function. Materialistic monism is known as well, in which creation is seen as an āoutflowā (sį¹į¹£į¹i), or in a dualistic garb, in which an active undifferentiated primal matter (prakį¹ti) creates by transforming itself for the purpose of inactive but observing units of consciousness (puruį¹£a).
Along with these atheistic ideas of creation we also find personalistic-theistic concepts developing from late-Vedic monism. The Vedic āOneā was assumed to exist, have a wish to create and a consciousness to know what is to be created in all its details. Such a wishful and conscious āOneā, however, can hardly be a neutral principle, but must be a personal one. The alternative to an unfathomable brĆ”hman without form and qualities (nirguį¹a) is thus a personal God with qualities (saguį¹a), an agent of creation of the world, as well as its upkeep and destruction, the masculine god brahmĆ”n (nom. brahmÄ) with only a shift of the accent. He is not known in the Veda, but Vedic and early Upaniį¹£adic mythic notions, for example, the ālord of creaturesā (prajÄpati) or the āgolden (that is, eternal) germā (hiraį¹yagarbha) were seen as āthe Oneā that has subsequently taken form as a personal God, the Lord of creation, PrajÄpati or Puruį¹£a in the Veda, later BhagavÄn and ÄŖÅvara, who designs the elements and laws of nature, and starts the process of creating all living beings beginning with the various gods. Theories of rebirth and a cyclic conception of the cosmos were also developed in this period and completed the notion of a highest personal God: at the end of a world-period, this God takes both the world and its creatures back into himself. Formless neuter brĆ”hman before creation, that is, the moment when the āgolden germā is born, is god Brahman (brahmĆ”n) as long as the world, space, time and creatures exist. Therefore, a relationship between the eternal creator and creatures is possible, and no alternative is left to this monotheistic option: he creates and supports, he is omniscient, omnipotent and eternal. The Vedic gods have now become part of the circle of finite existences, even if long-lasting. This highest personal and eternal God is subsequently identified by historically and socially different groups, the representatives of the developing Hindu religions, under the various names praised, loved and feared, for example by Vaiį¹£į¹ava believers as Viį¹£į¹u, Kį¹į¹£į¹a, RÄma, or by Åaiva believers as Åiva.5
These early theistic tendencies, becoming monotheistic traditions and finally Hindu religions properly speaking, incorporate the inherited basic structure of identity or difference between transcendent and immanent aspects of the ultimate being in different ways. Roughly, it can be said that the Supreme Being brĆ”hman is personalized in the sense that a creative aspect is attributed to it: it is assumed to be responsible for the origin and order of the cosmos. The idea of a transcendent, all-pervading, inactive and impersonal principle, the late-Vedic brĆ”hman, remains alive, however, for in many of the mythic accounts of the creation that are available, for example, in the Manu Smį¹ti or in various PurÄį¹as, the actual creation of the world lies in the hands of a demiurge. Often, the god Brahman is given this special task, but the demiurge may also be seen as the creative power (mÄyÄ, Åakti) or a manifestation (vyÅ«ha) of the ultimate reality. What these general myths and later theologies then present are elaborate variations on the answers to two main questions: How did God create the world? And why did God create the world?
The general scarcity of written sources for centuries of oral tradition allows only for a hypothetical history of these developments: they begin already in the last parts of the į¹gveda, and become stronger around the time of the Buddhaās activity, the fifth to fourth centuries BCE, during the first North Indian empire of the Nandas, and the time of the Maurya dynasty. With the development of the classical Indian philosophical traditions from the last centuries BCE onwards, we can assume that the theistic conceptions, which so far were only asserted in the form of mythic accounts, finally begin to receive theoretical justifications.
I cannot touch upon the question of why God created the world, and the direction of this chapter does not allow for a comprehensive survey of the variations in the manner of his creation.6 I would offer, rather, a typology of concepts of creation, and exemplify the two types proposed respectively. Their main difference seems to consist in whether an all-pervading or only a limited function of God is assumed to be the cause of the world. For God may be seen as being both, the material and the instrumental or efficient cause of the world, or only its instrumental cause.
The first type of creation theory can perhaps be characterized as evolutionary. It aims at harmonizing a monotheistic position with the ancient idea of an original transcendent unity of impersonal being. An example is the creation theory of the viį¹£į¹uitic PÄƱcarÄtra tradition.7 Here, two main stages of creation are distinguished, a higher or pure one (Åuddhasarga), and a lower or gross one. Viį¹£į¹u, the ultimatÄmÄ«, being, wakens Lakį¹£mÄ«, his Åakti (āPowerā). Why remains a mystery, for even ādiversionā (lÄ«lÄ) given as an answer is not satisfying in the case of a perfect being. Viį¹£į¹uās āPowerā is twofold as action and becoming, that is, as the instrumental and material cause of the world. This āPowerā, which is nothing but Viį¹£į¹uās will to create, is symbolized by Godās discus-weapon (SudarÅana), and is understood to be the principle that supports and orders the world. āManifestationsā (vyÅ«ha) and āappearancesā (avatÄra) of Viį¹£į¹u as part of this pure creation enrich the possibilities of special k...