
- 214 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
Kamishibai (paper-theater), a Japanese picture-storytelling medium, is gaining global interest as we move from a text-based culture to one that emphasizes multiple semiotic systems and performance. This is the first volume to explore the potential of kamishibai as a dynamic "new" interactive medium for teaching multimodal communication and shows how synchronizing oral, visual and gestural modes develops students' awareness of all modes of communication as potential resources in their learning. By examining the multiple modes involved in kamishibai through actual student performances over several venues, this volume overturns commonly held expectations about literacy in the classroom and provides a critical perspective on assumptions about other media. It offers much-needed information about a medium that is attracting interest from educators, academics and artists worldwide.
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Information
Table of contents
- Cover
- Title
- Copyright
- Dedication
- Contents
- List of Figures
- Acknowledgments
- Introduction: Why Kamishibai?
- 1 What Is Kamishibai? The Evolving History of a Traveling Medium
- 2 Modal Fluidity in the Ecology of Mr. G’s Classroom
- 3 Entering Narrative through the Kineikonic Mode
- 4 Illustration as Gesture: Synchronizing Oral, Visual, and Gestural Modes
- 5 The Three Rs of “Kamishibai Is Writing”: Revision, Recursivity, and Repertoire
- 6 Modal Fixity: The Ecology of Ms. P’s Classroom
- 7 Upending Classroom Hierarchies with Multiple Modes
- 8 Performing Magic
- Conclusion: Rediscovering the Emergent Qualities of Text
- Appendix I Transcription Symbols for Kamishibai Performance
- Appendix II Connecting Kamishibai to the Common Core State Standards
- Index