The Gulag Archipelago
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The Gulag Archipelago

An Experiment in Literary Investigation

Aleksandr I. Solzhenitsyn

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eBook - ePub

The Gulag Archipelago

An Experiment in Literary Investigation

Aleksandr I. Solzhenitsyn

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About This Book

"BEST NONFICTION BOOK OF THE 20 TH CENTURY." — Time

"It is impossible to name a book that had a greater effect on the political and moral consciousness of the late twentieth century." —David Remnick, The New Yorker The Nobel Prize winner's towering masterpiece of world literature, the searing record of four decades of terror and oppression, in one abridged volume (authorized by the author). Features a new foreword by Anne Applebaum. Drawing on his own experiences before, during and after his eleven years of incarceration and exile, on evidence provided by more than 200 fellow prisoners, and on Soviet archives, Solzhenitsyn reveals with torrential narrative and dramatic power the entire apparatus of Soviet repression, the state within the state that once ruled all-powerfully with its creation by Lenin in 1918. Through truly Shakespearean portraits of its victims-this man, that woman, that child-we encounter the secret police operations, the labor camps and prisons, the uprooting or extermination of whole populations, the "welcome" that awaited Russian soldiers who had been German prisoners of war. Yet we also witness astounding moral courage, the incorruptibility with which the occasional individual or a few scattered groups, all defenseless, endured brutality and degradation. And Solzhenitsyn's genius has transmuted this grisly indictment into a literary miracle.

"The greatest and most powerful single indictment of a political regime ever leveled in modern times." —George F. Kennan

"Solzhenitsyn's masterpiece.... The Gulag Archipelago helped create the world we live in today." —Anne Applebaum, Pulitzer Prize-winning author of Gulag: A History, from the foreword

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Information

Year
2020
ISBN
9780062941602
Part I
The Prison Industry
Chapter 1
Arrest
How do people get to this clandestine Archipelago? Hour by hour planes fly there, ships steer their course there, and trains thunder off to it—but all with nary a mark on them to tell of their destination. And at ticket windows or at travel bureaus for Soviet or foreign tourists the employees would be astounded if you were to ask for a ticket to go there. They know nothing and they’ve never heard of the Archipelago as a whole or of any one of its innumerable islands.
Those who go to the Archipelago to administer it get there via the training schools of the Ministry of Internal Affairs.
Those who go there to be guards are conscripted via the military conscription centers.
And those who, like you and me, dear reader, go there to die, must get there solely and compulsorily via arrest.
Arrest! Need it be said that it is a breaking point in your life, a bolt of lightning which has scored a direct hit on you? That it is an unassimilable spiritual earthquake not every person can cope with, as a result of which people often slip into insanity?
The Universe has as many different centers as there are living beings in it. Each of us is a center of the Universe, and that Universe is shattered when they hiss at you: “You are under arrest.”
If you are arrested, can anything else remain unshattered by this cataclysm?
But the darkened mind is incapable of embracing these displacements in our universe, and both the most sophisticated and the veriest simpleton among us, drawing on all life’s experience, can gasp out only: “Me? What for?”
And this is a question which, though repeated millions and millions of times before, has yet to receive an answer.
Arrest is an instantaneous, shattering thrust, expulsion, somersault from one state into another.
We have been happily borne—or perhaps have unhappily dragged our weary way—down the long and crooked streets of our lives, past all kinds of walls and fences made of rotting wood, rammed earth, brick, concrete, iron railings. We have never given a thought to what lies behind them. We have never tried to penetrate them with our vision or our understanding. But there is where the Gulag country begins, right next to us, two yards away from us. In addition, we have failed to notice an enormous number of closely fitted, well-disguised doors and gates in these fences. All those gates were prepared for us, every last one! And all of a sudden the fateful gate swings quickly open, and four white male hands, unaccustomed to physical labor but nonetheless strong and tenacious, grab us by the leg, arm, collar, cap, ear, and drag us in like a sack, and the gate behind us, the gate to our past life, is slammed shut once and for all.
That’s all there is to it! You are arrested!
And you’ll find nothing better to respond with than a lamblike bleat: “Me? What for?”
That’s what arrest is: it’s a blinding flash and a blow which shifts the present instantly into the past and the impossible into omnipotent actuality.
That’s all. And neither for the first hour nor for the first day will you be able to grasp anything else.
Except that in your desperation the fake circus moon will blink at you: “It’s a mistake! They’ll set things right!”
And everything which is by now comprised in the traditional, even literary, image of an arrest will pile up and take shape, not in your own disordered memory, but in what your family and your neighbors in your apartment remember: The sharp nighttime ring or the rude knock at the door. The insolent entrance of the unwiped jackboots of the unsleeping State Security operatives. The frightened and cowed civilian witness at their backs. (And what function does this civilian witness serve? The victim doesn’t even dare think about it and the operatives don’t remember, but that’s what the regulations call for, and so he has to sit there all night long and sign in the morning. For the witness, jerked from his bed, it is torture too—to go out night after night to help arrest his own neighbors and acquaintances.)
The traditional image of arrest is also trembling hands packing for the victim—a change of underwear, a piece of soap, something to eat; and no one knows what is needed, what is permitted, what clothes are best to wear; and the Security agents keep interrupting and hurrying you:
“You don’t need anything. They’ll feed you there. It’s warm there.” (It’s all lies. They keep hurrying you to frighten you.)
The traditional image of arrest is also what happens afterward, when the poor victim has been taken away. It is an alien, brutal, and crushing force totally dominating the apartment for hours on end, a breaking, ripping open, pulling from the walls, emptying things from wardrobes and desks onto the floor, shaking, dumping out, and ripping apart—piling up mountains of litter on the floor—and the crunch of things being trampled beneath jackboots. And nothing is sacred in a search! During the arrest of the locomotive engineer Inoshin, a tiny coffin stood in his room containing the body of his newly dead child. The “jurists” dumped the child’s body out of the coffin and searched it. They shake sick people out of their sickbeds, and they unwind bandages to search beneath them.
For those left behind after the arrest there is the long tail end of a wrecked and devastated life. And the attempts to go and deliver food parcels. But from all the windows the answer comes in barking voices: “Nobody here by that name!” “Never heard of him!” Yes, and in the worst days in Leningrad it took five days of standing in crowded lines just to get to that window. And it may be only after half a year or a year that the arrested person responds at all. Or else the answer is tossed out: “Deprived of the right to correspond.” And that means once and for all. “No right to correspondence”—and that almost for certain means: “Has been shot.”
That’s how we picture arrest to ourselves.
The kind of night arrest described is, in fact, a favorite, because it has important advantages. Everyone living in the apartment is thrown into a state of terror by the first knock at the door. The arrested person is torn from the warmth of his bed. He is in a daze, half-asleep, helpless, and his judgment is befogged. In a night arrest the State Security men have a superiority in numbers; there are many of them, armed, against one person who hasn’t even finished buttoning his trousers. During the arrest and search it is highly improbable that a crowd of potential supporters will gather at the entrance. The unhurried, step-by-step visits, first to one apartment, then to another, tomorrow to a third and a fourth, provide an opportunity for the Security operations personnel to be deployed with the maximum efficiency and to imprison many more citizens of a given town than the police force itself numbers.
In addition, there’s an advantage to night arrests in that neither the people in neighboring apartment houses nor those on the city streets can see how many have been taken away. Arrests which frighten the closest neighbors are no event at all to those farther away. It’s as if they had not taken place. Along that same asphalt ribbon on which the Black Marias scurry at night, a tribe of youngsters strides by day with banners, flowers, and gay, untroubled songs.
But those who take, whose work consists solely of arrests, for whom the horror is boringly repetitive, have a much broader understanding of how arrests operate. They operate according to a large body of theory, and innocence must not lead one to ignore this. The science of arrest is an important segment of the course on general penology and has been propped up with a substantial body of social theory. Arrests are classified according to various criteria: nighttime and daytime; at home, at work, during a journey; first-time arrests and repeats; individual and group arrests. Arrests are distinguished by the degree of surprise required, the amount of resistance expected (even though in tens of millions of cases no resistance was expected and in fact there was none). Arrests are also differentiated by the thoroughness of the required search; by instructions either to make out or not to make out an inventory of confiscated property or seal a room or apartment; to arrest the wife after the husband and send the children to an orphanage, or to send the rest of the family into exile, or to send the old folks to a labor camp too.
No, no: arrests vary widely in form. In 1926 Irma Mendel, a Hungarian, obtained through the Comintern two front-row tickets to the Bolshoi Theatre. Interrogator Klegel was courting her at the time and she invited him to go with her. They sat through the show very affectionately, and when it was over he took her—straight to the Lubyanka. And if on a flowering June day in 1927 on Kuznetsky Most, the plump-cheeked, redheaded beauty Anna Skripnikova, who had just bought some navy-blue material for a dress, climbed into a hansom cab with a young man-about-town, you can be sure it wasn’t a lovers’ tryst at all, as the cabman understood very well and showed by his frown (he knew the Organs don’t pay). It was an arrest. In just a moment they would turn on the Lubyanka and enter the black maw of the gates. No, one certainly cannot say that daylight arrest, arrest during a journey, or arrest in the middle of a crowd has ever been neglected in our country. However, it has always been clean-cut—and, most surprising of all, the victims, in cooperation with the Security men, have conducted themselves in the noblest conceivable manner, so as to spare the living from witnessing the death of the condemned.
Not everyone can be arrested at home, with a preliminary knock at the door (and if there is a knock, then it has to be the house manager or else the postman). And not everyone can be arrested at work either. If the person to be arrested is vicious, then it’s better to seize him outside his ordinary milieu—away from his family and colleagues, from those who share his views, from any hiding places. It is essential that he have no chance to destroy, hide, or pass on anything to anyone. VIP’s in the military or the Party were sometimes first given new assignments, ensconced in a private railway car, and then arrested en route. Some obscure, ordinary mortal, scared to death by epidemic arrests all around him and already depressed for a week by sinister glances from his chief, is suddenly summoned to the local Party committee, where he is beamingly presented with a vacation ticket to a Sochi sanatorium. The rabbit is overwhelmed and immediately concludes that his fears were groundless. After expressing his gratitude, he hurries home, triumphant, to pack his suitcase. It is only two hours till train time, and he scolds his wife for being too slow. He arrives at the station with time to spare. And there in the waiting room or at the bar he is hailed by an extraordinarily pleasant young man: “Don’t you remember me, Pyotr Ivanich?” Pyotr Ivanich has difficulty remembering: “Well, not exactly, you see, although . . .” The young man, however, is overflowing with friendly concern: “Come now, how can that be? I’ll have to remind you. . . .” And he bows respectfully to Pyotr Ivanich’s wife: “You must forgive us. I’ll keep him only one minute.” The wife accedes, and trustingly the husband lets himself be led away by the arm—forever or for ten years!
The station is thronged—and no one notices anything. . . . Oh, you citizens who love to travel! Do not forget that in every station there are a GPU Branch and several prison cells.
This importunity of alleged acquaintances is so abrupt that only a person who has not had the wolfish preparation of camp life is likely to pull back from it. Do not suppose, for example, that if you are an employee of the American Embassy by the name of Alexander Dolgun you cannot be arrested in broad daylight on Gorky Street, right by the Central Telegraph Office. Your unfamiliar friend dashes through the press of the crowd, and opens his plundering arms to embrace you: “Saaasha!” He simply shouts at you, with no effort to be inconspicuous. “Hey, pal! Long time no see! Come on over, let’s get out of the way.” At that moment a Pobeda sedan draws up to the curb. . . . And several days later TASS will issue an angry statement to all the papers alleging that informed circles of the Soviet government have no information on the disappearance of Alexander Dolgun. But what’s so unusual about that? Our boys have carried out such arrests in Brussels—which was where Zhora Blednov was seized—not just in Moscow.
One has to give the Organs their due: in an age when public speeches, the plays in our theaters, and women’s fashions all seem to have come off assembly lines, arrests can be of the most varied kind. They take you aside in a factory corridor after you have had your pass checked—and you’re arrested. They take you from a military hospital with a temperature of 102, as they did with Ans Bernshtein, and the doctor will not raise a peep about your arrest—just let him try! They’ll take you right off the operating table—as they took N. M. Vorobyev, a school inspector, in 1936, in the middle of an operation for stomach ulcer—and drag you off to a cell, as they did him, half-alive and all bloody (as Karpunich recollects). In the Gastronome—the fancy food store—you are invited to the special-order department and arrested there. You are arrested by a religious pilgrim whom you have put up for the night “for the sake of Christ.” You are arrested by a meterman who has come to read your electric meter. You are arrested by a bicyclist who has run into you on the street, by a railway conductor, a taxi driver, a savings bank teller, the manager of a movie theater. Any one of them can arrest you, and you notice the concealed maroon-colored identification card only when it is too late.
Sometimes arrests even seem to be a game—there is so much superfluous imagination, so much well-fed energy, invested in them. After all, the victim would not resist anyway. Is it that the Security agents want to justify their employment and their numbers? After all, it would seem enough to send notices to all the rabbits marked for arrest, and they would show up obediently at the designated hour and minute at the iron gates of State Security with a bundle in their hands—ready to occupy a piece of floor in the cell for which they were intended. And, in fact, that’s the way collective farmers are arrested. Who wants to go all the way to a hut at night, with no roads to travel on? They are summoned to the village soviet—and arrested there. Manual workers are called into the office.
Of course, every machine has a point at which it is overloaded, beyond which it cannot function. In the strained and overloaded years of 1945 and 1946, when trainload after trainload poured in from Europe, to be swallowed up immediately and sent off to Gulag, all that excessive theatricality went out the window, and the whole theory suffered greatly. All the fuss and feathers of ritual went flying in every direction, and the arrest of tens of thousands took on the appearance of a squalid roll call: they stood there with lists, read off the names of those on one train, loaded them onto another, and that was...

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Citation styles for The Gulag Archipelago

APA 6 Citation

Solzhenitsyn, A. (2020). The Gulag Archipelago ([edition unavailable]). HarperCollins. Retrieved from https://www.perlego.com/book/1658705/the-gulag-archipelago-an-experiment-in-literary-investigation-pdf (Original work published 2020)

Chicago Citation

Solzhenitsyn, Aleksandr. (2020) 2020. The Gulag Archipelago. [Edition unavailable]. HarperCollins. https://www.perlego.com/book/1658705/the-gulag-archipelago-an-experiment-in-literary-investigation-pdf.

Harvard Citation

Solzhenitsyn, A. (2020) The Gulag Archipelago. [edition unavailable]. HarperCollins. Available at: https://www.perlego.com/book/1658705/the-gulag-archipelago-an-experiment-in-literary-investigation-pdf (Accessed: 14 October 2022).

MLA 7 Citation

Solzhenitsyn, Aleksandr. The Gulag Archipelago. [edition unavailable]. HarperCollins, 2020. Web. 14 Oct. 2022.