A Social History of English Music
eBook - ePub

A Social History of English Music

  1. 336 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

A Social History of English Music

About this book

First published in 2006. The social history of music first makes an appearance—even if only sporadically—in treatises which during the seventeenth and eighteenth centuries gave some account of the manners and morals of specific periods, and of these socio-historical writings one of the most comprehensive is Voltaire's Siele de Louis XIV (1751). In this volume the author, without going over too much familiar ground, presents a view of English musical history from the Middle Ages.

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Yes, you can access A Social History of English Music by Eric David Mackerness in PDF and/or ePUB format, as well as other popular books in History & World History. We have over one million books available in our catalogue for you to explore.

Information

Publisher
Routledge
Year
2013
Print ISBN
9780415611398
eBook ISBN
9781134563388
Edition
1
Topic
History
Index
History

Index

Abel, K. F., 117
Academy of Ancient Music, 114
Addinsell, Richard, 271–2
Addison, Joseph, 95
Aelred of Rievaulx, 23–24
Agincourt Carol, 46
Albinoni, Tommaso, 107
Albion and Albanius (Grabu), 82
Aldeburgh Festival, 275
Alexandra Palace, 184, 195, 196
Alison, Richard, 68
Allen, Sir Hugh, 248
All the Year Round, 179
Althorpe Park (Northamptonshire), 70
Amalgamated Musicians’ Union, 233, 237
Amateur musicians, 10, 89, 258
American competition, 222–8
American organ, 224
Amis, Kingsley, 280
Anatomie of Abuses (Stubbes), 78
Ann Veronica (H. G. Wells), 249
Anthem, 60
Arbeau, Thoinot (pseud. of Jehan Tabourot), 42
Arkwright, G. E. P., 72
Arne, Thomas Augustine, 83, 104, 105, 106, 108, 117, 124, 125
Arnold, Matthew, 12, 43
Arnold, Samuel, 104
‘Arrival of the Queen of Sheba, The’, 256
Arsinoë (Thomas Clayton), 94
Arts League, 260
Ascham, Roger, 50
Ashwell, Lena, 239
Associated Board, 232
Athenaeum, The, 179
Atlas, The, 179
Augusta Triumphans (Defoe), 101, 110
Avison, Charles, 125
‘Bach Bow’, 8
Bach, J. C., 7, 89, 117
Bach, J. S., 6, 8
Bacon, Francis, 71
Bacon, Richard Mackenzie, 179
Bacon, Roger, 24
Baines, Edward, 186
Baldwin, William, 53
Balfe, Michael, 189
Balkan Princess, The (Paul Rubens), 228
Ballad (sixteenth century), 76–77
Ballad (late eighteenth and early nineteenth), 133–41
Ballad concerts, 177, 256
Ballad opera, 100
Band of the Garde Republicaine, 214
Banister, John, 83
Barclay, Alexander, 43
Baring-Gould, Sabine, 216, 217
Barnett, Canon Samuel A., 201
Barrow Shipyard Band, 206
Baskervill, C. R., 76
Bates, Joah, 113, 128, 165
Bath (Somerset), 10, 106, 197, 207, 237, 275
B.B.C. Invitation Concerts, 275
Beard, Paul, 276
Beaverbrook, William Maxwell Aitken, Lord, 260
Bede, Venerable, 14
Beethoven, Ludwig van, 6, 215, 226, 25...

Table of contents

  1. Cover
  2. Title page
  3. Copyright page
  4. Contents
  5. Plates
  6. Preface
  7. INTRODUCTORY
  8. I. MUSIC AND SOCIETY IN THE MIDDLE AGES
  9. II. RENAISSANCE, REFORMATION AND THE MUSICAL PUBLIC
  10. III. THE EIGHTEENTH CENTURY
  11. IV. INDUSTRIAL SOCIETY AND THE PEOPLE’S MUSIC
  12. V. THE VICTORIAN ERA: NATIONAL EDUCATION AND MUSICAL PROGRESS
  13. VI. ‘FIN DE SIÈCLE’: THE ETHOS OF COMPETITIVE ENTERPRISE
  14. VII. THE MODERN AGE: MUSICAL CULTURE AND THE VARYING PULSE OF THE MACHINE
  15. CONCLUSION
  16. BIBLIOGRAPHICAL NOTE
  17. INDEX