
Cine-Ethics
Ethical Dimensions of Film Theory, Practice, and Spectatorship
- 256 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
This volume looks at the significance and range of ethical questions that pertain to various film practices. Diverse philosophical traditions provide useful frameworks to discuss spectators' affective and emotional engagement with film, which can function as a moral ground for one's connection to others and to the world outside the self. These traditions encompass theories of emotion, phenomenology, the philosophy of compassion, and analytic and continental ethical thinking and environmental ethics. This anthology is one of the first volumes to open up a dialogue among these diverse methodologies. Contributors bring to the fore some of the assumptions implicitly shared between these theories and forge a new relationship between them in order to explore the moral engagement of the spectator and the ethical consequences of both producing and consuming films
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Information
Table of contents
- Cover
- Title
- Copyright
- Contents
- List of Figures
- Introduction
- PART I The Ethical Self and Others
- PART II Documentary and the Ethical
- PART III Exploitation and the Extreme
- PART IV Ethics and the Images of Nature
- Contributors
- References
- Index