
- 154 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
While many critics have analyzed the influence of the FDR administration on Hollywood films of the era, most of these studies have focused either on New Deal imagery or on studio interactions with the federal government. Neither type of study explores the relationship between film and the ideological principles underlying the New Deal.
This book argues that the most important connections between the New Deal and Hollywood melodrama lie neither in the New Deal iconography of these films, nor in the politics of any one studio executive. Rather, the New Deal figures prominently in Hollywood melodramas of the Depression era because these films engage the political ideas underlying welfare state policiesâideas that extended the reach of government into the private realm. As the author shows, Hollywood melodramas interrogated New Deal principles of liberal empathyâconsumer citizenship, the refeudalization of the state, and minimal economic redistributionâonly to support welfare-state ideology in the end.
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Information
Table of contents
- Cover
- Halftitle
- Title
- Copyright
- Contents
- List of Figures
- Acknowledgments
- Introduction: âPublic Daydreamsâ and the New Deal
- 1. Scarface over the White House: The New Deal and the Political Gangster Film
- 2. âWith Every Step and Every Breath I Tookâ: Mass Culture, Embodied Citizenship, and the Mob Violence Film of the 1930s
- 3. âI Didnât Know Anyone Could be so Unselfishâ: The Welfare State, Consumer Citizenship, and King Vidorâs Stella Dallas1
- 4. âI Know I Done Wrong; Iâve Done Repentâ: The New Deal, Black Nationalism, and The Emperor Jones1
- 5. The Doubleness of âIndemnityâ: The Welfare State and 1940s Insurance Noir
- Conclusion: Towards a Political Theory of Melodrama
- Notes
- Bibliography
- Index