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The Environmental Unconscious in the Fiction of Don DeLillo
About this book
This book presents an ecocritical reading of DeLillo's novels in an attempt to mediate between the seemingly incompatible influences of postmodernism and environmentalism. Martucci argues that although DeLillo is responding to and engaging with a postmodern culture of simulacra and simulation, his novels do not reflect a postmodernist theory of the "end of nature." Rather, his fiction emphasizes the lasting significance of the natural world and alerts us to the dangers of destroying it. In order to support this argument, Martucci examines DeLillo's novels in the context of traditional American literary representations of the environment, especially through the lens of Leo Marx's discussion of the conflict between technology and nature found in traditional American literature. She demonstrate that DeLillo's fiction explores the way in which new technologies alter perceptions and mediate reality to a further extent than earlier technologies; however, she argues that he keeps the material world at the forefront of his novels, thereby illuminating the environmental implications of these technologies. Through close readings of Americana, The Names, White Noise, and Underworld, and discussions of postmodernist and ecocritical theories, this project engages with current criticism of DeLillo, postmodernist fiction, and environmental criticism.
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Information
Table of contents
- Cover Page
- Half Title page
- Title Page
- Copyright Page
- Table of Contents
- Acknowledgments
- Introduction
- Chaper One DeLillo, Postmodernism, and the Nature of Nature
- Chaper Two âHow Real the Landscape Truly Wasâ: Reading Americana as a Pastoral Critique
- Chapter Three The Names: âDiscovering the Deeper Texturesâ
- Chapter Four White Noise: A Level of Experience to which We Will Gradually Adjust
- Chapter Five Taking Meaning Out into the Streets: The Significance of Place in Underworld
- Conclusion
- Notes
- Bibliography
- Index