A dark stage. A woman in a rocking chair. Catherine Blake.
Silence.
They donāt want me hereā¦ they donāt want meā¦
An old woman, getting in their way,
under their feet.
Look what the cat brought in. An ancient orphan, no future to bless her.
A sparrow, a spider, a nothing.
Good for nothing. And nothing will come of nothingā¦ And nothing will come of me nowā¦ A nothing left in darknessā¦
This is how it is. This is how it has been always. A parting.
We are parted
The fibres of our souls are spread. They cling ā
A tear. A tear. And a tearing.
I am a rent shirtā¦ I am a poor manās shirt and a pair of woollen stockings and a patched jacket thrown from the hearseā¦ Every breeze shudders meā¦ And no one wants meā¦
How I acheā¦ How I acheā¦ How I acheā¦
Nine days I laboured, nine days and nights I laboured, and on the tenth he gave me my freedom, singing. And my freedom was a wicker basket for the husks of shells. My freedom was a quilt of unspoken wordsā¦
looks around
A foreign kitchen, a winter light.
Seagulls very high in the clouds. How I ache.
A foreign hearth in London. My freedom is someone elseās hearth in his town. The tenth day is drawing to a close. How I ache.
And he is gone, fled singing to some place I cannot reach. His angels came and he sang to them and they told him they needed him more than I didā¦ Merciless, merciless angelsā¦ Merciless angels who know nothing of human despair. And he went with them. He nodded and spoke mild words and was soon goneā¦ And he left a shadow of grime on his collar and a warm bed. And the angels had tall wings, like steeples, or like sails and spread white like the Kingās ship in dock, and they took him, only I couldnāt see them, but I know how they looked, for hadnāt he spent all his life in their company and mine? And didnāt they sometimes appear in white like good children, and sometimes like ladies but barefoot, with rosy pink staining their necks and hands and ringlets in their hair? Their sighs were angel swords and their smiles were beams of light. He smiled at me, as if to say canāt you see how bonny they are today, on this, my deathday, and thereās the whole pity of it, for I couldnāt see, and I never could.
And then the men took all his possessions and I could have sold the carpenterās glass and the copper and the pigments for I was wily like that but they said not to worry in my grief and they would provide for me although what was the providing to them when I eat like a bird and I can still keep house and they donāt want me, they donāt want me and they never will want me, no one will want me as he wanted me.
He wanted me. And his want is gone with him. And isnāt that the ordinary way of things? When as a child I saw the widow ladies in their black bonnets following the coffins, didnāt I laugh a little laugh to myself, because nothing so ordinary as a widowing could happen to me, armed with my black hair and black eyes. I walked out on my loverās walks in Battersea, where the wind from the river comes sweeping in and knocks the black bonnets and tears the handkerchiefs from their hands, those spider ladies creeping along behind their hearse. And I was the wind. The pitiless windā¦
Laughs silently
I told him I pitied him! A lie. A lie to feast upon, because no man, no man in London could have pitied him. And he said he would love me
and it was as good as done then, my widowing
sealed to me.
I could have sewn a strip of black to my clothes every single day. Hereā¦ And hereā¦ and hereā¦ (she clutches at her arms and her breasts) and hereā¦ because he made my terrible widowing his lifeās business.
ā¦ Gone. Singing. Will I forgive him that singingā¦ Singing like fruit breaking from its bud. And the budās purpose gone!
He made me! He took me, soft and approximate as I was and blew the world into me. He put coals in my mouth and filled my hair with marble dust so I looked as white as one of his angels. But I was not his angel. I am rooted in the earth.
Iām angry.
Iām angry. My anger is an ache.
My lungs are full of howls, howls howling over each other.
What right did you have? You, you of all men, who let the slaves go free from the mill to run singing into the field, and the schoolboy! And the bonds and chains and taskmasters you dissolved into nothingā¦.
And here I am! Your helpmateā¦ your Kateā¦ Bonded to nothing.
How I ache. How I ache.
Pause
These men who offer me charity for your sake, they honoured you and loved you. They took me for your maid when they first came and knocked on the door. And one of them took the bell pull to his mouth and kissed it. Funny young men! They honoured you and you swelled in the veneration, and I loved them then.
I hate them now, taunting me with their limbs and their eyes. They are more of your absence.
The more time they occupy the less you do.
Where are you? Where have you gone?
Husband!
Your death comes and counsels me.
It has a milky voice, it has a broken voice
it folds me in its pale arms and bids me
Think woman! Think of me.
I am suddenness.
I am the noise of cutting cloth so the remnant falls into a shivering heap.
I am colour in reverse and poetry backwards.
I pare away the ugly old past.
I seal every backwater with an iron till the tree of memory is a stump in you.
Put away that likeness in your head, old woman. It will cause more pain. Turn its face to the wall.
Think of me! Donāt think of him.
Pause
How I ache. Oh how I ache
Pause
No. I say. No. Give me my despair.
I wish and feel and weep and while I weep I delight.
I remember everything.
Breathes deep
I remember how you t...