Deleuze and Performance
eBook - PDF

Deleuze and Performance

  1. 288 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

Deleuze and Performance

About this book

Was performance important to Deleuze? Is Deleuze important to performance; to its practical, as well as theoretical, research? What are the implications of Deleuze's philosophy of difference, process and becoming, for Performance Studies, a field in which many continue to privilege the notion of performance as representation, as anchored by its imitation of an identity: 'the world', 'the play', 'the self'? Deleuze and Performance is a collection of new essays dedicated to Deleuze's writing on theatre and to the productivity of his philosophy for (re)thinking performance. This book provides rigorous analyses of Deleuze's writings on theatre practitioners such as Artaud, Beckett and Carmelo Bene, as well as offering innovative readings of historical and contemporary performance including performance art, dance, new media performance, theatre and opera, which use Deleuze's concepts in exciting new ways. Can philosophy follow Deleuze in overcoming the antitheatrical tradition embedded in its history, perhaps even reconsidering what it means to think in the light of the embodied insights of performance's practitioners? Experts from the fields of Performance Studies and Deleuze Studies come together in this volume and strive to examine these and other issues in a manner that will be challenging, yet accessible to students and established scholars alike.

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Yes, you can access Deleuze and Performance by Laura Cull in PDF and/or ePUB format, as well as other popular books in Philosophy & Philosophy History & Theory. We have over one million books available in our catalogue for you to explore.

Information

Publisher
EUP
Year
2009
eBook ISBN
9780748635054

Table of contents

  1. Cover
  2. Copyright
  3. Contents
  4. Introduction
  5. Chapter 1 Performing in the Chaosmos: Farts, Follicles, Mathematics and Delirium in Deleuze
  6. ACT I Deleuze on Theatre: Artaud, Beckett and Carmelo Bene
  7. Chapter 2 I Artaud BwO: The Uses of Artaud’s To have done with the judgement of god
  8. Chapter 3 Expression and Affect in Kleist, Beckett and Deleuze
  9. Chapter 4 A Theatre of Subtractive Extinction: Bene Without Deleuze
  10. Interval
  11. Chapter 5 Performing, Strolling, Thinking: From Minor Literature to Theatre of the Future
  12. ACT II Confronting Deleuze and Live Performance
  13. Chapter 6 Becoming a Citizen of the World: Deleuze Between Allan Kaprow and Adrian Piper
  14. Chapter 7 sub specie durationis
  15. Chapter 8 Thinking Through Theatre
  16. Chapter 9 Becoming–Dinosaur: Collective Process and Movement Aesthetics
  17. Interval
  18. Chapter 10 . . . of butterfl ies, bodies and biograms . . . Affective Spaces in Performativities in the Performance of Madama Butterfl y
  19. ACT III A Digital Deleuze: Performance and New Media
  20. Chapter 11 Like a Prosthesis: Critical Performance Ć  Digital Deleuze
  21. Chapter 12 Performance as the Distribution of Life: From Aeschylus to Chekhov to VJing via Deleuze and Guattari
  22. Chapter 13 The ā€˜Minor’ Arithmetic of Rhythm: Imagining Digital Technologies for Dance
  23. Notes on Contributors
  24. Index