Quickly equips readers with the strategies to understand and deepen their engagement with individual poemsPraise for the first edition: 'Wide-ranging, provocative, and thorough, Strachan and Terry provide the student with all the tools necessary for the study of poetry. I can think of no other volume that offers the reader so much in so few pages. This is the text of choice for all students and teachers of the subject.'Duncan Wu, University of Glasgow Based on their extensive teaching experience, the authors provide a lively route map through the main aspects of poetry such as sound effects, rhythm and metre, the typographic display of poems on the page and the language of poetry using practical examples throughout. o Packed full of examples, from the work of Shakespeare to Edwin Morgan and from Sylvia Plath to John Agardo Detailed index of poets, works, terms, forms & conceptso Full glossary of poetic terms, from /acatalectic/ to /wrenched accent/, with cross-references and page references of examplesNew for this edition:o End-of-chapter exercises and follow-up research taskso New readings of modern women's poetryo Section on How to Write Poetry with exerciseso Suggestions for further reading – both books and websites
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Poetry
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22
Poetry
5.
In
Ted
Hughes’s
famous
poem
‘The
Thought
Fox’
(1957),
the
poet
imagines
himself
at
midnight,
awaiting
inspiration
and
staring
at
a
‘blank
page’.Suddenly,
something
happens:
Through
the
window
I
see
no
star:
Something
more
near
Though
deeper
within
darkness
Is
entering
the
loneliness.
He
characterises
this
as
a
fox,
and
portrays
the
animal
darting
into
his
head
in
a
metaphor
which
captures
the
moment
of
poetic
inspiration:
…
with
a
sudden
sharp
hot
stink
of
fox
It
enters
the
dark
hole
of
the
head.
The
window
is
starless
still;
the
clock
ticks,
The
page
is
printed.
(i)
Why
have
poets
so
frequently
identified
inspiration
as
something
external,
whether
metaphorised
as
a
muse
or,
indeed,
a
fox?
(ii)
What
do
you
make
of
the
poet’s
remarkable
metaphor
of
his
head
as
a
‘dark
hole’?
Table of contents
- Contents
- Preface to the second edition
- Acknowledgements
- Introduction
- 1: The key words of poetry
- 2: The shape of poetry
- 3: The sound of poetry
- 4: Metre and rhythm
- 5: Comparisons and associations
- 6: The words of poetry
- 7: Writing poetry
- A glossary of poetical terms
- Metre exercise: answers
- Further reading
- Index
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